Word: agujari
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Dates: during 1956-1956
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...muscles restricted to less than full capabilities, the human voice became the slave of the restriction. Individuals once even went to such extremes as castration to break out,* but occasionally a voice comes along that needs no adjustment to make musical news: the thrilling voice of Soprano Lucrezia Agujari, which rose almost three octaves from middle D; the freak voice of the 19th century's Eugenia Mela, a woman who sang tenor; the incongruous bass voice of a three-year-old boy in Prague in 1936; and, more recently, the voice of Peruvian Yma Sumac, whose singing voice covers...
Jenny, like Agujari and Sumac, is no freak. Her range is considerably greater than most,† her voice is sweet and powerful, and she has it under reliable, effortless command. (She can cover almost an additional two octaves, but with little musical value.) In her tenor range she can sound either like a contralto or a real male tenor. Some critics find Jenny's voice a bit dry, but this can be overcome, she believes, before she makes her professional debut. She does not plan to make it for about two years. Until then, she will continue to study...
...composers have long helped to keep the corset strings tight by writing music to fit the man-imposed limitation on man's voice. Mozart composed killing coloratura arias for his high-singing sisters-in-law, Josepha and Aloysia Weber; Giuseppe Colla supplied music for his wife-to-be, Agujari; Moises Vivanco supplies it .for his wife Yma Sumac. Jennifer Johnson is now looking for someone to write music for Jennifer Johnson...
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