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...refugee camp a few miles outside Seoul last week, Ahn Nam-chang and her family were getting ready to go home. Nam-chang's husband was one of at least a million South Korean civilian casualties in the early days of the war, but she has a hunch that her old father is still living on his two-acre farm near Munsan. Nam-chang has three children. As if that were not enough, she has adopted a little girl-one of Korea's 100,000 war orphans-who would most likely have died if Mrs. Ahn...

Author: /time Magazine | Title: KOREA: The Walnut | 3/9/1953 | See Source »

Marching north over the bleak, desolate, road to Munsan that night, in the true spirit of independence, but with no designs of conquest, was the widow Ahn Nam-chang and her little family. It was the first full moon of the lunar new year and, in accordance with age-old custom, peasant folk were cracking open the hard little Korean walnuts to foretell the future. No matter that Korea lay devastated by war, there was still a future. If the kernels came out whole, that was a good omen. On the other hand, if they came out broken, that...

Author: /time Magazine | Title: KOREA: The Walnut | 3/9/1953 | See Source »

Spanish-born Joan Junyer (pronounced Zho-ahn Zhoon-yea) is an artist with a fresh eye who feels confined by frames and flat surfaces. For ten years he has tried to get a sense of volume into his paintings by rejecting the conventional canvas for molded shapes of wood and plaster. His paintings (TIME, July 9) sweep around curves, roll wavelike along walls. Last week Artist Junyer's latest assault on convention was on display at Manhattan's Museum of Modern...

Author: /time Magazine | Title: Art: Flowing Fountain | 6/9/1952 | See Source »

...advertisement which showed him as a "Man of Distinction." The staff decided-to leave the red rose designs on the bathtub and the other old-fashioned fixtures just as they were. A sign on the hall door indicated that this was, or had been, the home of one Le Ahn...

Author: /time Magazine | Title: The Press: Every Writer a Boss | 7/1/1946 | See Source »

Antigone (adapted from the French of Jean Anouilh by Lewis Galantiere; produced by Katharine Cornell in association with Gilbert Miller) was born of the Nazi occupation of Paris. Playwright Anouilh (pronounced Ahn-oo-ee) reworked the famed Antigone of Sophocles with a furtive and topical eye: Antigone's defiance of King Creon's edict that her brother Polynices' body must lie unburied might be a spur to French resistance. In writing the play, Anouilh was plainly walking on eggs. Not only must his Antigone hearten the French, but his Creon must not offend the Germans...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Mar. 4, 1946 | 3/4/1946 | See Source »

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