Word: aida
(lookup in dictionary)
(lookup stats)
Dates: during 1920-1929
Sort By: most recent first
(reverse)
...feature of the Pops concert in Symphony Hall tonight will be the appearance of the Boston Saxophone Orchestra, which will play three numbers. The following is the complete program. Triumphal March from "Aida" Verdi Overture, "Jubilee" Weber Fantasia, '"Eugen Onegin" Tchaikovsky Boston Saxophone Orchestra. (Abdon F. Laus, Conductor) a. March from "Tannhauser" Wagner b. Fantasia, "Faust" Gounod c. Carry Me Back to Old Virginny Bland-Laus Rumanian Rhapsody Euesco Dance of the Priestesses of Dagon, from "Samson and Delilah" Saint-Saens Ride of the Valkyries Wagner Boston Saxophone Orchestra a. The Lost Chord Sullivan-Laus b. Hawaiian Waltz, "Kilama...
...soloist in the principal number on the Pops program tonight, "Springtide", a cantata by Rachmaninov for baritone solo, chorus, and orchestra. The concert will begin at 8.15 o'clock with Agide Jacchia conducting. Overture to "La Belle Helene" Offenbach Minuet of the Will-o'-the-Wisps Berlioz Fantasia, "Aida" Verdi a. Folk Sopp, "Lied fun a Feigele" b. Psalm OL Lewandowski-Jacchia (Conducted by Henry Gideon) Fourteenth Hungarian Rhapsody Liszt Scherzino Moskovski-Jacchia Ride of the Valkyries Wagner Springtide, Cantata Rachmaninov (Baritone Henry Jackson Warren) From Cradle to Chuppe--Three Folk Songs Gideon-Jacchia Rachem (Invocation) Mana-Zucca Waltz. "Espana...
Giuseppe Verdi, 1813-1901; Jeanne D'Arc, Overture (1845); II Trovatore Selection (1853); La Forza Del Destino, Overture (1862); Aida, Fantasia (1871); Othello, The Tempest (1887). Eugen Onegin, Fantasia Tchaikovsky Slegfried, Forest Murmurs Wagner Carmen, Toreador Song Bizet Goyescas, Intermezzo Granados Samson and Delilah, Bacchanale Saint-Saens
...Manhattan, breathed its last, and songsters, scenery, dancers and orchestra?enough to fill some 30 Pullman cars?were packed off on two special trains for Atlanta* for the annual week of opera. Southerners socially and musically inclined were ready for them, flocked from all over the countryside to hear Aida, with Rosa Ponselle and Giovanni Martinelli; Don Quichotte, with Feodor Chaliapin; La Bohême, with Lucrezia Bori, Beniamino Gigli, Antonio Scotti; Pagliacci, with Mary Lewis, Armand Tokatyan, Lawrence Tibbett; Jewels of the Madonna, with Florence Easton and Martinelli; Lucia, with Marion Talley; Tannhauser, with Rudolf Laubenthal; II Trovatore...
...plucked geese hanging from the ceiling, we convey almost nothing to the reader. Perhaps it would be better to mention the ballet dancer whose knees kept letting her down onto the stage, or the singer who turned a back flip on the final note of the famous aria from Aida, and started clogging directly afterward. But all in all it is hard to express the true spirit of matters bughouse, for Mr. Anderson has done it in such a variety of ways...