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...clubs' ten tanning machines a year ago. His concern was justified: based on a survey of 62 hospitals, the Consumer Product Safety Commission estimates that there were 1,781 emergency visits nationwide last year for injuries related to tanning booths. The year before, Teenagers Jennifer Tyree and Aida Sabato suffered excruciating eye pain after visiting a Manhattan tanning parlor. Reason: because they did not wear protective goggles, their corneas were seared by overexposure to the UV sun lamps. Warns their ophthalmologist Barry Chaiken: "Only time will tell if the exposure is going to mean that they'll face a higher...

Author: /time Magazine | Title: Health & Fitness: Perils of The Tanning Parlor | 5/23/1988 | See Source »

...Tange's peers is the building's design: with its split tower, ersatz campaniles and creme brulee surface of glass-and-granite panels, it would be a postmodern monument -- Notre Dame redesigned by Gaudi and enlarged to monstrous proportions. "Tange's city hall is garish," says Architect Takefumi Aida, "so much so that it would end up looking like a symbol of Japan as a nouveau riche state. I can't stand...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

...Aida is one of the few middle-aged stars of Japanese architecture who neither apprenticed nor studied under Tange. He taught at Tokyo University when Maki and Kisho Kurokawa were Tange's students there in the '50s; Kurokawa and Isozaki worked in Tange's office in the late '50s and early '60s. In fact, Tange and Isozaki, 56, are a good point-counterpoint embodiment of the generational change in Japanese design. Tange is a reserved pillar of society. Isozaki, whose good friends (like Fashion Designer Issey Miyake) jokingly call him Iso-san, is an impish glamour...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

...work of Takefumi Aida, 50, is reminiscent of a particular kind of American postmodernism: the playful houses of California's Charles Moore, architecture as fun. Each of Aida's houses appears to be a sprawling stack of a child's multicolored building blocks in Brobdingnag -- simple rectangles, cylinders, triangles and crescents...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

...Aida houses may be facile, yet they do delight: toy building blocks are a cheerful transcultural artifact, and the mock-haphazard assemblages are lively, seemingly half built or half demolished. The Toys R Us aspect seems American, but the unfinished quality is pure Japanese. Says Aida: "Fundamentally I find myself swinging back and forth between two basic lines of influence -- Japanese tradition and Western culture. I am attracted as much by Kandinsky, for instance, as I am by modern Japanese writers...

Author: /time Magazine | Title: Design: Japan Is On The Go | 9/21/1987 | See Source »

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