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...first Aida at La Scala in 1950, she startled the crowd by stalking about like a hungry leopard instead of taking the usual stately stance for her Act III duet. In the death scene of Fedora, in which sopranos tend to expire stiffly on a divan, Callas staggers from it, sags to her knees, drags herself up, crawls towards her lover's room, collapses again before she finally rolls down and dies. In Norma she has cried real tears. Operagoers. long reconciled to the classic, three-gesture range of other prima donnas, are astounded and delighted...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

...Verdi's Aida at 2 p.m. and Moussorgsky's Boris Goudonov at 7:45 p.m. will entertain at the Opera House today...

Author: NO WRITER ATTRIBUTED | Title: WEEKEND EVENTS | 4/21/1956 | See Source »

...economics and the other on aesthetics. Perhaps the virtues of both plans might be attained by combining them into one great interlocking directorate. This new institution, the Harvard Dramatic Organ, could prevent recalcitrant individualists from forming new "out-caste" groups, simply by scheduling some spectacle, say Aida, at the same time as the out-caste performance of Oedipus, which would not have the benefit of sets. With the new emphasis on harmony and unity, all kinds of wonders could be worked. The Cambridge community must look with favor upon the combined efforts of Schwalb and the H.D.C. As Yeats himself...

Author: NO WRITER ATTRIBUTED | Title: Leda and the Schwalb | 2/18/1956 | See Source »

...time debut the night La Scala reopened after the war, singing in a concert under Arturo Toscanini. Her specialty is igth century Italian pulse-bumpers, but Renata is a placid, hard-working woman who says she does not really like to sing passionate heroines. How will her Aida sound next week at the Met? Not too passionate, she says. Aïda, so Toscanini convinced her, is really a mild woman, essentially just "a very good daughter...

Author: /time Magazine | Title: Music: Tall Diva | 2/14/1955 | See Source »

...role calling for a dark skin. Marian Anderson's Metropolitan Opera debut as the Negro Ulrica, in Un Ballo in Maschera (TIME, Jan. 17), made fortissimo headlines, and this week Baritone Robert McFerrin is causing another stir at the Met by singing the Ethiopian king Amonasro in Aida. The NBC Opera Theater was even bolder: this week it cast Leontyne Price, 26, as the Italian opera singer Tosca...

Author: /time Magazine | Title: Music: TV Tosca | 1/31/1955 | See Source »

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