Word: aileen
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Dates: during 2000-2009
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Combined with the soft, atmospheric lighting of Michael Zellmann-Rohrer ’10 and the set’s pillow-strewn palace rooms and smoking dens (designed by Aileen K. Robinson ’08), Orlosky’s choreographed belly-dances made for a production that sometimes came off as excessively luxurious. Despite Okocha’s terrific performance, it was impossible to ignore the fact that Shahrazad is less a character than an embodiment—there were innumerable references to her “beautiful body”—of a set of existential...
Some plays should never be performed. Directed by Aileen K. Robinson ’08, and co-produced by Benjamin M. Poppel ’09 and Jeremy R. Steinemann ’08, Harvard-Radcliffe Summer Theater (HRST) inexplicably chose to perform Keith Bunin’s “The World Over.” This past Friday at the Loeb Experimental Theatre, HRST presented its audience with a commendable production of a terrible play...
...punk-influenced romp. But that is exactly what veteran director Mary E. Birnbaum ’07 creates with her latest (and, sadly, final) production, which runs through May 5 at the Loeb Mainstage. The show is produced by Ben M. Poppel ’09 and Aileen K. Robinson ’08, and it satirizes its own genre, often to hilarious effect...
...think it is very significant,” added Aileen M. McGrath, the HLR’s departing president. “It shows a great sign about the direction the Law Review is moving...
...motif suggests, the first Harvard-Radcliffe Dramatic Club (HRDC) Mainstage show of the year does not shirk from conflict in its portrayal of suburban life. Running until Oct. 28, “Bette and Boo” was written by Christopher F. Durang ’71. Produced by Aileen K. Robinson ’08, the play is directed by Visiting Director Marcus Stern, who staged the play several years earlier at the American Repetory Theatre. “Bette and Boo” presents the story of a young couple in the 1950s and follows the breakdown...