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In Hiroshima, Mon Amour and L'Annee Derniere a Marienbad, Alain Resnais began his explorations of time and space dislocation. His newest film, Je T'Aime, Je T'Aime, is precisely about that dislocation. A man enters a time-machine which looks like a high-school biology model of the...

Author: By Martin H. Kaplan, | Title: The New York Film Festival Twelve Nights in a Dark Room: You Can't Always Get What You Want | 9/29/1970 | See Source »

Je T'Aime, Je T'Aime is a frosty movie about love, life and time travel directed by Alain Resnais. In Hiroshima Mon Amour and Last Year at Marienbad, Resnais evolved an elliptical style of editing that included streams of consciousness, unconsciousness and dreams, all edited so tightly...

Author: /time Magazine | Title: Cinema: Festivals | 9/21/1970 | See Source »

The Caribbean Black Power movement can be traced to the writings of Haiti's Jean Price Mars in the 1920s. Long before Senegal's Poet-President Léopold Senghor had defined his concept of négritude, Price Mars was writing of the black man's...

Author: /time Magazine | Title: The Caribbean: Tourism Is Whorism | 8/3/1970 | See Source »

1) The idea of a community of interest and experience among Negroes in the New World (viz., North America, South America--especially Brazil--and the Caribbean) is more than a century old, and possibly older. (See writings of Africans like Sarbrah, Hayford, Azikiwe; Negro Americans like DuBois, Delaney; the French...

Author: NO WRITER ATTRIBUTED | Title: The Mail: Afro-American Club | 5/17/1963 | See Source »

Sept Répons was one more reminder that Poulenc's genius lay more with choral music and songs than with instrumental music. His lyrical sensitivity to poetry led his songs into fragile moods that passed subtly from laughter into grief. "J'aime la voix humaine," he would...

Author: /time Magazine | Title: Composers: The Poulenc Puzzle | 4/19/1963 | See Source »

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