Search Details

Word: aiming (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...midst of the week's melees, a score of Negro leaders representing every stripe, from the moderation of Roy Wilkins to the militance of Floyd McKissick, met outside New York City. Their agreed aim was to head off further racial eruptions this summer, and after the meeting Wilkins issued a "red alert" to the N.A.A.C.P.'s 1,500 chapters. "Don't just be against riots," Wilkins urged, "be active in preventing them." He announced that bumper stickers would be issued with slogans such as BRICKS THROUGH WINDOWS DON'T OPEN DOORS...

Author: /time Magazine | Title: Races: Mind Over Mayhem | 6/23/1967 | See Source »

...thunders out of six speakers with deafening insistence, blinding strobe lights flash in rhythm with the music; the walls swim with projections of amoeba-like patterns slithering through puddles of quivering color. Just as in other psychedelic-lit joints, such as Andy Warhol's Gymnasium in Manhattan, the aim is to immerse everybody in sound and sight. When the spell takes hold, young mothers with sleeping infants in their arms waltz dreamily around the floor; other dancers drift into a private reverie, devising new ways to contort their bodies. Some of the crowd sit in a yoga-like trance...

Author: /time Magazine | Title: Rock 'n' Roll: Open Up, Tune In, Turn On | 6/23/1967 | See Source »

...know. I'll look next time." Alan, whose ordinariness is well portrayed by Off-Broadway Veteran John Tracy, meanders from Manhattan's Lincoln Center at the beginning to Long Island's Montauk Beach at the finale. Like the man who makes it, the journey is without aim or purpose-but not without poignancy...

Author: /time Magazine | Title: Cinema: Celebrations of the Ordinary | 6/16/1967 | See Source »

This demonstrates on a grand scale a problem with all musical activity here -- opera, symphony and chamber music alike. In the rush to make his mark on the music scene, the Harvard musician tends to aim high, choosing to perform works guaranteed to get him one up on his fellow musicians and impress the dickens out of the general community. Very often there is more interest in the idea of the thing rather than in obtaining the best musical result. All too often one gets the impression the projects' progenitors had one of those "hey-wouldn't-it-be-fantastic...

Author: By Robert G. Kopelson, | Title: Music at Harvard: Neither Craft nor Art; It Combines Display, Arrogance, Delight | 6/15/1967 | See Source »

Along with these doubts about the old goals, and the aversion to imposing them on other people, there was also a very strong sense that such objectives (whatever they were in specifics) must be made more relevant to the process of living. There seemed to be less reason to aim at all the conventional ends -- money, a house in the suburbs, the top job in the bureaucracy, etc.--if the process of of getting there was frustrating and dehumanizing. Rather than getting somewhere, more people set about to lcarn how one could enjoy the process of living. Only...

Author: By Richard Blumenthal, | Title: Complex Problems; No One Had Answers | 6/14/1967 | See Source »

Previous | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | Next