Word: aimless
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...flip side of Repo Man's bizarreness emerges in the next few scenes, wherein we are introduced to the film's chief protagonist, a young suburban punk called Otto. Otto is rootless, aimless, unhinged--of this we are made painfully aware. We meet him first in a supermarket, where he is getting fired from his job, but the scene quickly shifts to outside an L.A. home where a gang of punks are into some serious slam-dancing action. The scene and music (solid hardcore) immediately conjure up the rage of Decline, the late great documentary about the L.A. punk scene...
...does he owe Tucker his Life, authorized and handsomely bound between hard covers? Barclay postpones the answer by escaping once again into aimless, inebriated travel, leaving a trail of bogus forwarding addresses. By this point, Golding reaches for his old standby, the clamoring metaphysical question. Does Barclay flee because he is afraid of being saved or damned? Who is Halliday, the mysterious American billionaire who has given Tucker seven years to win Barclay upi as a trophy? Broad hints are dropped that the author and the critic have begun to exchange identities. Barclay asks the American: "How come you speak...
Bridges must have spent a lot of time recently watching bad French movies. Every cliché of existential anomie - the aimless driving, the heavy smoking, the elliptical dialogue, the motel-room angst - has been imported to the seedier suburbs of Los Angeles. Saddest of all is the use to which Winger, who shares laurels with Sissy Spacek as the most affecting and natural of Hollywood's bright young actresses, has been put. Forced to play a woman with no past and little presence, who is part blah and part blasé, Winger discards her quirky charms to walk through...
...their dimness, they can engender only one emotion: disgust. Donald Sutherland, Jack Warden and Wallace Shawn are among those trying to find some overtone or undertone they can resonate to, but the script is so dull and the direction so lacking in dynamics that they are reduced to aimless noodling. The depression they feel in their bereft state will quickly communicate itself to any viewer...
...first, director Roger Kaplan seems to be aiming for minimalism, a severe understatement that admirably suits the grim plot. The characters wear black and wander around their comfortable living room (Quincy's unadorned common room) with the same aimless ferocity that characterizes their power games. Hedda (Julie Cohen), newly married to the buffoonish George Tesman (Curt Raffi), is bitter and trapped, seeking to find artistic fulfillment by manipulating the men around her. In the few days that follow her return with Tesman from their honeymoon, Hedda gradually becomes twisted in her own plots, trapped by the circumstances that once made...