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...show the prospects around the campus and what everyday student life is like," Abeles says. "How we work, go out, what dorm life is like--we aim to give an honest portrayal of life at Harvard...

Author: By Maureen B. Shannon and Michael L. Shenkman, CRIMSON STAFF WRITERSS | Title: Byerly Hall Wants YOU! | 1/24/2000 | See Source »

...Basic Rifle Marksmanship - is perhaps the centerpiece of our training, as it is the one skill that makes a soldier truly useful. Some of us were already good at it; the rest had to learn that it was more art than science. Get comfortable. Aim straight. Stop breathing. Squeeze the trigger, gently. Targets pop up? You knock 'em down. Simple as that, and damn satisfying...

Author: /time Magazine | Title: Learning a Soldier's Core Competency: How to Kill | 1/2/2000 | See Source »

...individual braveries of combat that are supposed to drive us. Whether they occur at Normandy or in Haiti doesn't matter here, only that a soldier killed whom he could kill and saved whom he could save. I can shoot now, and I really like hitting what I aim at. I have lost much of my old lust for gun control, because the Army also teaches - assiduously - when to shoot and when...

Author: /time Magazine | Title: Learning a Soldier's Core Competency: How to Kill | 1/2/2000 | See Source »

There was never a time when Phillips felt the need to approve of all Modernism. He was making a record of his own taste, not trying to reflect whatever was there. German Expressionism, or any other movement whose main aim was to record conflict and misery rather than celebrate a degree of Apollonian pleasure, was foreign to his nature. Dada and Surrealism hardly raise a blip on his radar. All efforts to "subvert" painting were beside the point. In his view, the Modernist impulse really began amid the sensuous delights of Renaissance Venice--Giorgione being the first "Modern" artist...

Author: /time Magazine | Title: Art: A Livable Treasure-House | 1/1/2000 | See Source »

...crudely suppose--locked in an Oedipal battle with its past. Every masterpiece contains the genes of earlier masterpieces, as Manets and Daumiers do of Goyas, as Goyas do of Velasquezes. Second, art gives us access to a paradise of the intelligent senses that, once attained, justifies itself. Its aim is pleasure. Thus, Phillips had a fascinated respect for Picasso's anxiety but no great paintings by him, whereas Braque was wholly another matter. Braque's lucid and calm balance drew the American like a magnet, as a demonstration of the unbroken tradition of classical painting that ran forward from Chardin...

Author: /time Magazine | Title: Art: A Livable Treasure-House | 1/1/2000 | See Source »

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