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Gore says he is for "revolutionary change" but hasn't really proposed any; he is running with his fists balled, itching for a fight--you ain't seen nothin' yet!--even though his entire platform amounts to massaging the feet of the middle class every bit as faithfully as Bill Clinton has these past eight years. Bush's message meanwhile is so soothing--Can't we all just get along?--and yet his reforms of Medicare and Social Security and education offer more change than anything either party has proposed in years--and that's just the agenda he admits...
...insight into her love life--she's notoriously private, not to mention British--it's still difficult to believe this mid-career blossoming, as she calls it, just happened. The songs sell her out. Stories opens with the glorious Big Exit, which peaks around the chorus, "Baby baby, ain't it true/ I'm immortal when I'm with you." A duet with Radiohead's Thom Yorke asks, "Do you remember the first kiss?" and is one of this year's most captivating love songs. Want more proof? Her previous album was titled Is This Desire?; Stories has a track...
...become such a nation of wimps? A too-positive campaign can fail to explain why you should choose one candidate over another. Look at the second "debate," which Bush and Gore spent agreeing with each other and which could only have fed the Ralph Nader/George Wallace belief that there ain't a dime's worth of difference between the two parties. The Bush and Gore attack ads, though, were short, sweet and to the point: Gore is a liar who favors Big Government; Bush is a fool who favors the rich. These may not have been the most ennobling messages...
...neat metaphor for the struggles and rewards of life, and the character of Bagger himself is a walking metaphor-a caddy who helps a golfer find his way. But at its core, Bagger Vance is a serious exploration of the search for meaning in life (in other words, this ain't Tin Cup). Bagger says it best when he explains to Hardy that inside every person is something that belongs to him alone-an "authentic swing" which can't be found, only remembered. And that's what this film is all about. Call it a story about finding something that...
...Gore says he is for "revolutionary change" but hasn't really proposed any; he is running with his fists balled, itching for a fight - you ain't seen nothin' yet! - even though his entire platform amounts to massaging the feet of the middle class every bit as faithfully as Bill Clinton has these past eight years. Bush's message meanwhile is so soothing - can't we all just get along? - and yet his reforms of Medicare and Social Security and education offer more change than anything either party has proposed in years, and that's just the agenda he admits...