Word: aine
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...cops and, worse, Walt. The big man has an unattractive side: sadistic psychosis. He breaks a liquor bottle and hulks toward Steve (the camera). "Say, I'll bet that bride of yours is pretty. ... If Al doesn't walk out of that police station by midnight, your wife ain't gonna be so good to look...
...reminder that French cinema ain't dead yet, Patrice Chéreau's Gabrielle arrives just in time: July 14, Bastille Day, commemorating the start of the French Republic. (Two other French films, Laurent Cantet's Heading South and François Ozon's Time to Leave, have their U.S. theatrical premieres this month as well, but, entre nous, you can skip them.) Based on Joseph Conrad's story The Return, the film, written by Chéreau and Anne-Louise Trividic, concentrates the anguish and ego-busting of marital life into a few days in the lives...
When the lead singer of a critically beloved, commercially successful band in its prime releases a solo album, it's a bit like a married man with two kids zipping by in a fiery new Porsche. Something, you suspect, ain't right at home. Sure enough, Thom Yorke has admitted that Radiohead, years-long holder of the title Only Band That Matters, has hit a lethargic patch. Personal lives have grown comfortable, professional momentum has slowed. With the future uncertain, Yorke made The Eraser--which turns out not to be a betrayal of his band but a love letter...
...they vie for a book deal and TV pilot, it's seeing their responses critiqued as if they were singing a Christina Aguilera song ("You call that a speech?"). Messengers, to be fair, is self-conscious about that: in one scene, a homeless woman lectures TLC's cameras, "This ain't no damn zoo. These are human beings." She's right. This is possibly the best-intentioned--and creepiest--TV show you will see this year...
...sticking to it. That doesn't mean he can't tweak it. His most accomplished record balances exuberantly stupid singles (Get Drunk and Be Somebody) with sensitive love songs (A Little Too Late). Under the guidance of co-producer Lari White, Keith's voice is surprisingly delicate, particularly on Ain't No Right Way, a nuanced defense of "black and white" thinking that also serves as a career summary...