Word: airing
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Dates: during 1970-1979
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...human rights." The poster concluded with greetings to "your wife and family," and was signed "The Human Rights Group." Authorities removed the poster within a few hours, an indication that its message was unsanctioned Liberalization has its carefully defined limits. The phenomenon of democracy wall, for all its air of spontaneity, had a quality of official orchestration about...
...everyone else." Oz is conceded to be, after Henson, the most gifted of the Muppet performers. He taught Miss Piggy all she knows, and he plays Fozzie Bear, Animal, Sam the pompous American Eagle and, on Sesame Street, Bert and Cookie Monster. Holding his naked right hand in the air, Oz demonstrates the basics of Muppet acting. "You can do proud": his hand sways and struts upward. "Sad": the hand, with its closed fingers forward, as a Muppet's mouth might be, droops at the wrist and the fingers float downward. "Confusion": the hand pauses, looks one way, looks another...
...what the other Muppets are up to, but TV monitors give them a precise check on scenes as they progress.) The tank was lowered to the concrete bottom of the movie set's swamp, the log was fitted on top of it, and Kermit was perched on the log. Air was fed to Henson through a hose, and electric cables brought him Frawley's instructions and the TV picture. Divers stood by to rescue Henson in case the tank leaked. Through a rubber sleeve at the top of the tank, Henson manipulated Kermit's head, and, using a stiff...
...rest is hysteria, as Kermit might say. The Muppets did guest appearances for everyone who had air time, and were well established by the time Sesame Street took form. Henson had everything except his own series, and this the networks refused to provide unless it was aimed strictly at children. Finally the FCC opened the 7:30 p.m. to 8 p.m. slot to local programming suitable for both children and adults, and HA! bypassed the networks by signing an extraordinary deal with Lord Grade's ACC group: 24 shows a year, international syndication, a healthy budget and complete artistic...
That is not the end of the problems. W.D. Richter's script, especially in he early, expository going, is often laughably literal, and therefore incapable of establishing an air of mystery as people start becoming strangely abstract and distant. Director Philip Kaufman unwisely gets too close to the pods, trying to show just how the transformation works. He would have been wise to let our imaginations run riot on this matter rather than permitting his special effects people to do so, since all they come up with is some grimly gunky stuff, not nearly as suggestive as the sudsy...