Word: airings
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Dates: during 1960-1969
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...simple. By tapping the lucrative American singles market, capitalizing on the now well-established computer dating craze in the U.S., and wrapping it all up into a package tour of a foreign country where the girls all speak English, BOAC could earn a bigger slice of the transatlantic air trade it has to share with American carriers...
...Harvey (James Stewart) and Our Town (Henry Fonda). An all-American series at Lincoln Center's repertory theater includes The Time of Your Life, Camino Real, Beggar on Horseback, plus Sam Shepard's new play, Operation Sidewinder, a wild satire of the contemporary U.S. scene, featuring an Air Force computer in the form of a sidewinder rattlesnake. Comedy is in short supply, but Mike Nichols is directing The Memorandum, a French farce about a determined bachelor and the girl who upsets his ordered life. Neil Simon's The Last of the Red Hot Lovers brings three women...
...father who must bridge the chasm between himself and his 23-year-old daughter J.J. (Julie Sommars). The only praiseworthy thing about the show is that CBS, following an enlightened new policy, allowed it-and their other shows -to be seen and reviewed by the press in advance of air time-a practice that NBC and ABC refuse to adopt...
...apron outside Boeing's plant in Everett, Wash., 15 enormous 747 jets stand high and silent, harbingers of a new era in aviation. They are painted in the colors of several international airlines: TWA, Pan Am, Lufthansa, Air France. For the moment, however, the planes are the world's largest gliders -because they have no engines. Pan Am had been scheduled to get the first three commercial giants, each with a capacity of 362 passengers, in late November. Last week embarrassed Boeing officials said that performance difficulties in the Pratt & Whitney JT9D engines would delay that delivery...
...sexual charade. They are like the mummers from The Seventh Seal or the circus performers from The Naked Night imprisoned in an allegory of doom. Inevitably the object of the masque is death. But the dramatic value of the ritual itself is disappointingly slight, giving the entire film an air of anticlimax. There are episodes of typical genius-one of the actors sits in a bed flipping matches from between his teeth until he finally incinerates himself-but Bergman has not quite managed to correlate fantasy and personal drama. Shot originally as a television play, The Ritual contents itself with...