Word: airplay
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Dates: during 1990-1999
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...spent too much time listening to its Beastie Boys and Rage Against the Machine albums. This summer Bizkit is basking in the kind of major exposure any new group would trade its nose rings for: a slot on the Ozzfest concert tour, an appearance on MTV's Spring Break, airplay on tastemaking KROQ radio in Los Angeles and a debut album, Three Dollar Bill, Y'All, that cracked the Billboard...
...Broadway's golden era, the songs Cole Porter, Richard Rodgers and others wrote for the stage were the same ones that sat atop the nation's hit parade. But with the advent of rock 'n' roll, pop and show music diverged. Though a stray Broadway hit might get radio airplay (Don't Cry for Me, Argentina), and a whiff of something like rock occasionally stirs the Great White Way (Rent), Broadway became a separate and self-contained musical domain, irrelevant to the most creative musicians of the rock generation...
With all of these self-proclaimed nuggests of praise for the new release, Hanley never comes across as obnoxious or self-absorbed. An easygoing, conversational tone stamps out any question of pop rock pretentiousness--she is a normal person unaffected in her personal life by widespread radio airplay. Whether discussing her favorite Boston bands (Trona, Gravel Pit, Sterlings), pausing to discuss her mother's daily phone call or thinking about the dinner awaiting her, she is in every way a normal person...
Still enjoying regular airplay, Third Eye Blind's "Semi-Charmed Life" was the summer anthem in my suburban circle of friends. It embodied our insouciant attitudes toward life as we spent the summer months together. The song's awesome combination of calculated brilliance, rebellious lyrical themes and the lead singer's solid, warm attack create an unforgettable tune. Emanating from all of this, the song represents the youthful belief that nothing can ever go wrong in life-a sentiment that inherently appeals to adolescent culture...
...audience for her lush, thoughtful songcraft. Her new CD, Surfacing (Arista), out this week, is an elegant, old-soul album, with several standout songs, including the bewitching Building a Mystery and the ravishing Adia. Radio is already all over it. But not too long ago, McLachlan couldn't buy airplay. "When my album Fumbling Towards Ecstasy came out [in 1994], a lot of radio stations said they couldn't play me because they already had another singer-songwriter on their playlist," McLachlan says. "In this case it was Tori Amos. That was very marginalizing because our music is completely different...