Word: aka
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Dates: during 2000-2009
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...start of the 1980s with All That Jazz. But critics would snipe that truly great films (and directors) were being overlooked: there would be no Cannes love for Rainer Werner Fassbinder (Ali: Fear Eats the Soul),Werner Herzog (Every Man for Himself and God Against All, aka The Enigma of Kaspar Hauser), Terence Malick (Days of Heaven) or Wim Wenders (Kings of the Road) - though it must be acknowledged that Wenders would eventually win in 1984 for Paris, Texas. Meanwhile, films from further afield were practically shut out by the Jury. Despite the Indian film industry's prodigious output...
...says to Marlo Stanfield, “It’s all in the game” to describe the complications and stresses inherent in being a kingpin in the Baltimore drug trade? If you have no idea what the crap I’m talking about, The Wire, aka the sweetest show ever, is about crime and policing in the age of post-industrial urban decay, and the characters traditionally say “all in the game” to describe the triumphs, defeats and harsh realities of operating in the criminal underworld. Sort of like...
...time Leonard "Bones" McCoy (Karl Urban) introduces himself to Kirk on a transporter full of new recruits, my grin had settled in for good. In terms of casting, Ryder is Abrams' only blunder. John Choo (aka Harold of Harold and Kumar fame) as Hikaru Sulu? Perfection. Simon Pegg as Scotty? Genius. I didn't recognize Anton Yelchin, who makes a charming 17-year-old Chekov, from his role in Hearts of Atlantis but I was mentally clapping him on the back as well...
Match 5: THE GIRLS, AKA Maria "The PUN-isher" May (blue) versus Eleanor "The Viking" Wilking...
...Lone Man makes his way from Madrid to Seville and then into the countryside toward his wealthy target, American, aka the Man (Bill Murray, who starred in Jarmusch's lovely Broken Flowers), he encounters a cast of characters who trade boxes of matches with him and pass on more tidbits of instruction along with commentary on art and culture. There's Guitar (John Hurt), Mexican (Gael Garcia Bernal) and the most helpful of all, Blonde (Tilda Swinton), who is a fan of Jarmusch-style cinema. "The best films are like dreams you're never really sure...