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...title is “’88 aka Come Down On Me,” and it begins an album in which each song title is prefaced by a year, which liner notes reveal to be the date of the samples used in the song. It’s a fine device, and it allows the album some excellent moments, but like the first track’s narrator, unsure of where to place it date-wise, the album’s songs seem uncertain of purpose, adorned, yes, with some beautiful melodies, but not adding...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: NEW MUSIC: '64-'95 | 3/18/2005 | See Source »

Concentration: Biological Anthropology (aka, all you ever wanted to know about monkeys...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: Scoped: Leap Year Baby, Jessica L. Jones '06 | 2/24/2005 | See Source »

Following the Russell Wolff band was Harvard’s own Reasonable People’s League (RPL) featuring Greg J. Gagnon ’05 and partner AKA, both of whom took a good 15 to 20 minutes to set up their dual-laptop act. During this time, Gagnon streamed reverb-enhanced “Simpsons” clips paired with a broken backbeat and whirring turntables. Upon starting the actual performance piece, Gagnon indulged in some very bizarre laptop electronica and trance that seemed centered around atonal passages matched with thumping bass and punchy drum loops. The dissonance...

Author: By Nathaniel Naddaff-hafrey, CONTRIBUTING WRITER | Title: Quincy Cage Serves Eclectic Tastes | 12/6/2004 | See Source »

Compared to the antics of the Jerky Boys, such a joke is merely the work of amateurs untrained in the finer art of prank calling. The Jerky Boys—John G. Brennan (aka Johnny B.) and Kamal (Ahmed)—have perfected crank calling into an art. Unfortunately, it does not necessarily follow that this art belies either good taste or talent. This Grammy-nominated duo’s latest release, The Ultimate Jerky Boys Collection, is their third compilation, a two-disc set consisting of fifty-one of their supposed best recordings of prank calls...

Author: NO WRITER ATTRIBUTED | Title: New Music | 11/12/2004 | See Source »

...Like its predecessor, number 23 is divided into multiple vignettes, but this time it focuses exclusively on the life of one character. Clowes takes the traditional superhero motifs - extraordinary powers, special gadgets, the sidekick, and the origin story - but eliminates the "super" and the "hero." Instead we get Andy, AKA The Death Ray, a drip of a guy with a completely self-serving sense of morality who beats people up and zaps anything or anybody into non-existence. Through him, Clowes creates a darkly hilarious upending of the superhero myth of great powers inspiring great responsibility. In Clowes' world, such...

Author: /time Magazine | Title: Super Zero | 8/13/2004 | See Source »

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