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...atypical. For an actor, it is impossible to become a leading man until he has a face: that is his hardship. For an actress, it is possible to become a leading lady as soon as she has a body: that is her handicap. Mia Farrow's measurements are closely akin to a newel post's. "I look like an elephants' graveyard," she admits. Nevertheless, it is a body. The face is something else; the exquisite bone structure and the fine, flawless skin suggest an antique doll. But so do the faces of other girls. It is the immense, luminous eyes...
PAUL KRASSNER, in his introduction to this book, terms Crumb "the illegitimate offspring of Krazy Kat." George Herriman's great comic strip of the twenties wasn't centered around a philosophy of life, either. Its fantasy world was akin to Crumb's: the hopeless romantic (Krazy Kat), the skeptic who rejects her love (Ignatz Mouse), and, above both, the defender of society and justice (Offisa...
...think it enough to destroy without rebuilding. For their position on this point (and so far as I understand it I agree with it) is precisely that you cannot destroy something unless you already have the potential to build in its place. (This, I take it, is something akin to what Marx means when he talks of the maturation of socialist forces of production within the womb of capitalism...
...that matter. Many are not even essentially lonely. What they are, most of them, is simply trapped in their own whirlpool. They go to work in the morning and come home at night, and they just don't have the opportunity to meet new people." Building to something akin to missionary zeal, Milgrim continues: "The few places that cater to singles-clubs, $3-a-head dances or whatever-can be pretty degrading. The marvelous thing about a cruise like this is the preservation of basic dignity. Here the singles have created their own world-where they have to answer...
...greatest paintings in the Western world," wrote Critic Pierre Schneider. "After the great Christ paintings of the Renaissance, this is the first nonreligious painting of an expiatory personage, a self-sacrifice figure." Adds Critic Andre Chastel, "Gilles has a poetic charm akin to Shakespeare. In fact, every time I look at it, I am reminded of Bottom in A Midsummer Night's Dream...