Word: al
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Dates: during 1960-1969
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Most of the demonstrators' arguments should certainly comfort Peking and Hanoi. At Detroit's Wayne University, Al Harrison, a young Negro "organizer," cried: "You all got me and my kind in chains! We got no business fighting a yellow man's war to save the white man." Wayne History Professor Norman Pollack-predictably, his specialty is the 19th century-argued that "pockets of profits" kept the U.S. in the war. "If there were no Viet Nam," said he, "the American Government would have to invent...
...Ramsey Lewis trio is quite a sizable mob. This LP, recorded live at the Bohemian Caverns in Washington, D.C., has soared up the pop charts, past such rock 'n' run regulars as the Rolling Stones and Herman's Hermits. The title song has the usu al rocking beat, but Pianist Lewis also dispenses old-fashioned swing, bland harmonies and light-fingered embellishments in such well-worth-repeating pieces as Duke Ellington's Come Sunday and Buddy Johnson's Since I fell...
...brilliant Mexican poet, essayist, playwright and diplomat Octavio Paz has shown how his country's revolution and governmental intervention in economic life led to eventual diversified development. And as British Economist Dudley Seers et al, have put it in Cuba: The Economic and Social Revolution: "Almost any degree of disorganization would have been preferable to the complete failure in Cuba in earlier years to mobilize the factors of production...
...Al Lowenstein, a New York lawyer and civil rights organizer and one of the initiators of the movement, will help set up the proposed Harvard branch. At tonight's meeting he will explain the nature of the group and list its activities...
After a decade of discussion, nearly a year of auditions and three months of rehearsals, expectations for the nation al company were high. The company's opening production of Carlisle Floyd's Susannah, a gripping tragedy of man's inhumanity to man in the name of religion, was a resounding success on all counts. The singing was polished and smoothly integrated. The acting, directed by Broadway's José Quintero, crackled with life. David Hays's sets-stylized landscapes that looked like 19th century needle point - evoked a fitting mood of rural U.S.A. OUR CITY...