Word: alain
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Dates: during 1960-1969
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...legitimate theater; they have done little more than photograph a play heightened in its vividness by close-ups, mob scenes, fast-paced cutting and all the other techniques worked out over the last fifty years. And almost no one has created a film so uniquely a film as Alain Resnais (director) and Alain Robbe-Grillet (screenwriter...
...presidential car sped along the road from Paris to Villacoublay Airport. Hurrying to catch the plane home to Colombey-les-Deux-Eglises were President Charles de Gaulle and his wife Yvonne; up front with the chauffeur was the De Gaulles' son-in-law, Alain de Boissieu. Close behind followed a security car and two motorcycle policemen. As the small motorcade slowed down for a traffic circle in suburban Clamart, Old Soldier de Gaulle once again faced the guns of an enemy...
...second strong point of La Notte is its successful use of the existing technique Alain Resnais tried in Last Year at Marienbad: the cinematic journey into the mind. Watching Lidia (Miss Moreau) look at walls, buildings, people, one senses again that Antonioni is parodying. But because of the reality of his characters, and the fineness of his touch, such scenes are not soporific (as Marienbad was). The technique is no longer experimental: it is controlled...
...Alain C. Enthoven, 31, intense and dark-suited, looks more like a young college professor than a weapons analyst. Yet, as deputy comptroller for systems analysis, this young economist must lay bare the calculations on which many defense decisions are made. After graduating from Stanford with honors in economics, spending two years at Oxford as a Rhodes scholar and getting his Ph.D. from M.I.T., he joined the Rand Corp. think factory, where he helped direct a major study of Strategic Air Command operations and strategy that later became part of the Kennedy Administration's defense policy. Deeply concerned...
...about. Truffaut's centrifugal direction sends pieces of crime thriller, love story, and psychological case study flying off at unrelated tangents. Moreover, Piano Player suggests that the New Wave is carrying its own logic to absurdity. Together with the Neo-Realist school of French fiction led by Novelist Alain Robbe-Grillet (TIME, July 20), the New Wave set out to give the "object" its due. In Piano Player, things-the honky-tonk piano, the hero's brass bed, an auto careening through the night-are vibrantly and almost independently alive, and man has become the lifeless inanimate object...