Word: alaine
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Dates: during 1990-1999
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...somehow seem American if given American-sounding names like "Tom," "Marg," and "Freddy." Disconcerting is Clemote's use of the Italian setting, on which noon-strength sun gnaws, leeching color from sails, crumbling villas and driving everyone pretty much mad. Most disconcerting, certainly, are the mesmerizing eyes of Alain Delon, who, as the poor but desperate Tom, is able to manipulate men, women, and, of course, the audience, with his cocainepure blue gaze...
...Kathleen Adams, Melissa August, Soozhana Choi, Charlotte Faltermayer, Janice M. Horowitz, Lina Lofaro, Michael Quinn and Alain L. Sanders
...Kathleen Adams, Charlotte Faltermayer, Janice M. Horowitz, Lina Lofaro, Michael Quinn, Jeffrey C. Rubin, Alain L. Sanders, Mark Thompson
...editing table. Try to imagine these scenes in single long takes, and you start to appreciate editing's vital contribution: it gives films the collision of images that creates a collision of emotions. It has been the primary technical touchstone for great directors (Alfred Hitchcock, Alain Resnais, Martin Scorsese) and vibrant movie movements (the Soviet silent cinema). From the brilliantly intercut chase scenes in D.W. Griffith's The Birth of a Nation (1915) to the dizzyingly allusive montages in Oliver Stone's JFK and Natural Born Killers, editing is moviemaking...
...Kathleen Adams, Charlotte Faltermayer, Janice M. Horowitz, Lina Lofaro, Michael Quinn, Alain L. Sanders and Sidney Urquhart