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...professional production of The Barber of Seville. She took a leap without a net. "A diploma can't get you work in the theater," she decided. "But a part can." It did. She took parts with a repertory company and caromed around Europe. In Paris, Director Alain Resnais was looking for a young girl to co-star as Yves Montand's adolescent amour in La Guerre Est Finie. Geneviève transferred from the Parisian television screen to the film scene without missing a cue. She appeared opposite Alan Bates and Jean-Paul Belmondo, once as a madwoman...

Author: /time Magazine | Title: Television: A Kitten Purring Beethoven | 3/30/1970 | See Source »

...famed French marine biologist, Alain Bombard, says that the sea can handle human sewage. "But," he adds, "this process of purification is easily and seriously disrupted by the introduction of the chemical byproducts of civilization." Near Marseille, a pair of big aluminum refineries each day discharge 6,000 tons of a red sediment into the Mediterranean. Though 80% of it funnels into a deep submarine trench, the remainder settles elsewhere on the bottom. "The problem," says Bombard, "is that this waste, though not toxic in itself, blankets and kills all living things. Moreover, this is an area where...

Author: /time Magazine | Title: Environment: Fighting to Save the Earth from Man | 2/2/1970 | See Source »

JORGE SEMPRUN wrote the screenplay, based upon the novel. Z by the Greek-born French writer Vasily Vasilikos, Semprun wrote the screenplay for Alain Resnais La Guerre est Finie, which also stars Yves Montand, who plays Lambrakis in Z. In both films. Semprun makes use of flashback technique. In Z, it shows Lambrakis the man. Throughout the film, Semprun maintains both the man and the mythical martyr through Irene Pappas, who plays his wife and widow. One of Lambrakis aides comes to her after the officials responsible for his death have been indicted and says...

Author: By Theodore Sedgwick, | Title: The Moviegoer Z at Exeter St. Theatre indefinitely | 1/23/1970 | See Source »

Fowles' technique is to take a ready-made 1860s plot and tell it from a 1960s point of view. It is like a reincarnated Thomas Hardy revising one of his tales from the vantage point of films, Freud, space shots and Alain Robbe-Grillet. On one level, this yields an engaging parody of the Victorian novel-with chatty narrator, digressions, subplots involving cockney servants and narrative juggling. The technique also enables Fowles to compensate for some of the Victorian novel's omissions and evasions, particularly that dark side of the Victorian moon, the bedroom...

Author: /time Magazine | Title: Books: Imminent Victorians | 11/7/1969 | See Source »

...back in the 1920s, a black scholar named Alain Locke remarked that "in the case of the American Negro, the sense of race is stronger than that of nationality." And yet, Locke pointed out, "some of the most characteristic American things are Negro or Negroid, derivatives of the folk life of this darker tenth of the population." Small wonder, then, that the greatest American Negroes feel torn at times...

Author: /time Magazine | Title: Art: TWO IN ONE BODY | 10/3/1969 | See Source »

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