Word: alaine
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...First Cry owes much to the work of Alain Resnais. In such films as Hiroshima Mon Amour and La Guerre Est Finie, Resnais flashed back and forth between present and past, giving sense impressions that made the pictures considerably more than the sum of their parts. Jaromil Jireš, 31, who made The First Cry three years ago, tries the same technique with moderately interesting results. A young woman is awakened by labor pains. She arouses her husband (Josef Abrhám) and begins to recall their first meeting, the affair that followed, the marriage. Abrhám, a television...
...GUERRE EST FINIE. A peek through the other end of the spyglass as French Director Alain Resnais examines the mind and mores of a Communist agitator left over from the Spanish Civil War but still traveling the dreadmill...
...says, is Bernard; his last name is "hands off." But Genevieve can't keep her hands to herself, and eventually she loses a girl friend by stealing a boy friend. As the junior vamp, Canada's Genevieve Bujold also walks off with the show. Featured in Alain Resnais' La Guerre Est Finie (TIME, Feb. 3), Bujold at 24 displays a confident talent and a pert, dark beauty that suggests the imminent emergence of a star...
France's no-longer-new New Novelists have found few imitators in the U.S. James Salter, 40, is one of the exceptions. His model seems to be Alain Robbe-Grillet, who labors in his books to "construct a space and time purely mental, that of a dream or memory." Perhaps in tribute, Salter sets his third book in France. His subject is the love affair between Anne-Marie Costallat, an 18-year-old who looks like a child but eats like a dock hand, and young Phillip Dean, a Yale dropout who has been wandering through Europe with "that...
...Recall. The new thrust in movies took inception from the collapse of Hollywood in the early '50s and the revival of Europe as a center of film production. Since the European industry was small and loosely organized, such directors as Vittorio De Sica, Ingmar Bergman, Federico Fellini, Michelangelo Antonioni, Alain Resnais, François Truffaut and Jean-Luc Godard could pretty well shoot them as they saw them and let the censor take the hindmost. As a result, they made a number of fine far-out films (The Bicycle Thief, Wild Strawberries, 8½, L'Avventura, Hiroshima, Mon Amour, The 400 Blows...