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Like John Osborne, Arnold Wesker, Alan Sillitoe and other novelists and dramatists in what was dubbed the "Angry Young Men" group (after Osborne's 1956 play Look Back in Anger), Pinter was not a product of the Oxford-Cambridge factory for leaders in politics, industry and the arts. Being neither born nor bred into the upper class, these writers made class their theme: the resentment and suspicion the unders had for the uppers, which Pinter stripped of overt political references and flipped into the power that one person exercises with cool brutality over another. The TIME description of his script...

Author: /time Magazine | Title: The Pinter of Our Discontent | 12/25/2008 | See Source »

...manner of Samuel Beckett" - unintentional high praise indeed. It's the tale of an old homeless man, Jenkins (played onstage and in the excellent 1963 film version by Donald Pleasance), who is brought to the home of the simple-minded Aston (Robert Shaw) and his conniving brother Mick (Alan Bates). Jenkins begins as the ratty interloper but becomes sympathetic by default as the brothers play their mind games. The plot fits the contours of a standard nightmare: being invited into a place where you are misled and mistreated...

Author: /time Magazine | Title: The Pinter of Our Discontent | 12/25/2008 | See Source »

Since Saturday, residents of Kailuana Place have been dealing with the daily motorcade that leaves sometime after 7 a.m. when Obama heads to the Semper Fit Ultimate Health and Fitness Club located at Marine Corps Base Hawaii, in nearby Kaneohe. Alan Shinn, who lives a block away from the security checkpoint leading to the Obama compound on Kailuana Place, says all day long cars drive down to the checkpoint and are turned away, usually with a passenger holding a camera inside. "Everybody is excited about him being that close," says Shinn, "There are a lot of people walking by, people...

Author: /time Magazine | Title: Obama Tries to Escape in Hawaii | 12/24/2008 | See Source »

...Moving to the big screen, Mulligan found a happy partnership with producer Alan J. Pakula. Together they made seven films, most of them centered on young people with the will to rebel but not always the means. In Love with the Proper Stranger (1964), Natalie Wood is an Italian Catholic shopgirl who becomes pregnant in the one-night-stand immaculate conceptions familiar in movies of the '60s (and today; see Knocked Up). But since she had the good fortune to be impregnated by McQueen, true love is assured. The plot is Hollywood hokum with a patina of New Yawk grit...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

...Mulligan had a few more hits - and good films - in him: Summer of '42 (1971), the romance of a teenage boy and a lovely young war widow; The Other (1972), a spectral mood piece about nine-year-old twins involved in murder; and Same Time, Next Year (1978), with Alan Alda and Ellen Burstyn as annual adulterers. As his career wore on, and Hollywood jettisoned sentiment and subtlety for sharks and light sabers, Mulligan's aura dimmed. He had outlived the mood he so delicately captured...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

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