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...hair of Alan Simpson, the former Wyoming senator, and of Harvard officials like the Provost Al Carnesale," says Papalimberis. "I knew that he was leaving Harvard for UCLA before anyone else...

Author: By Georgia N. Alexakis, | Title: History of La Flamme | 4/23/1997 | See Source »

Reich, now a professor at Brandeis University, and former Senator Alan K. Simpson (R-Wyo.), visiting Lombard lecturer at the Kennedy School, presented a light-hearted discussion which had the audience rolling with laughter for much of the one-and-a-half-hour talk...

Author: By Dafna V. Hochman, | Title: Reich Speaks at IOP | 4/18/1997 | See Source »

Though boasting a cast of ten, Equus is really a two-man show. Fortunately, the two men were well-equipped to shoulder the burden. Clarke's Alan, in the tradition of Rain Man and Shine, made his tics and facial expressions consistent and believable without making a mockery of his mentally challenged character. As Dr. Dysart, McCarthy demonstrated an impressive command of a demanding script and shifted skillfully, if a bit belatedly, from two-dimensional straight man to anxious Everyman in the second...

Author: By Rustin C. Silverstein, | Title: A Horse of a Different Color | 4/17/1997 | See Source »

...mastered all the subtle mannerisms of that animal so well that any horse costuming beyond the simple wire mask would have been overkill. Because the human faces were always visible within the horse mask, the presence of human emotions within the horse character provided a chilling insight into Alan's world view--especially the mischievous grin of the Equus horse-god (Matthew Williams...

Author: By Rustin C. Silverstein, | Title: A Horse of a Different Color | 4/17/1997 | See Source »

...post-Menendez brothers era, it's hard to accept the criminal as a victim and truly sympathize with someone like Alan. It's also (perhaps intentionally) hard to commiserate with Dr. Dysart, who comes off as more of a middle-aged yuppie whiner than a genuine care-giver. Nevertheless, the doctor does succeed in exposing the complexities of what seemed to be an open-and-shut case of guilt. While most viewers probably still end up condemning the boy for his crime, the rush to judgment is not nearly as hasty or eager as at the beginning of the play...

Author: By Rustin C. Silverstein, | Title: A Horse of a Different Color | 4/17/1997 | See Source »

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