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...Goya seems to transcend the limits of style and arrive at an absolute. The parallel is interesting because both men produced their greatest works shut off from the world of sound. Misfortune no doubt seemed endless in Goya's case: he lost his famous mistress, the Duchess of Alba, soon after he lost his hearing. But in spite of the compounded misfortunes, there was some compensation. It was just about this time that he was really finding himself as an artist. His etchings follow the last developments, describing the concerns and compositional techniques of his full genius...

Author: By Lowell J. Rubin, | Title: Goya | 10/7/1955 | See Source »

...Andrew Mellon and a promise of perpetual maintenance from Congress. Before long, the gallery would open, with a great fanfare. Inside its vast walls of naked, flesh-colored Tennessee marble, the public would find a trove of masterpieces from the Mellon collection-such unparalleled works as Raphael's Alba Madonna, Botticelli's Adoration of the Magi. But the hideous truth was that the Mellon collection, for all its scope and grandeur, could not begin to fill the gallery's 5½ acres of exhibition space. It looked very much as though the National Gallery would become...

Author: /time Magazine | Title: PHILANTHROPY: Collector No. I | 10/3/1955 | See Source »

Love & War. The new Goya glares with brutal clarity, like a wounded fighting bull, from the self-portrait made two years after his illness (see cut). It was at about this time that the Duchess of Alba took him on. As willful as she was lovely, the Duchess surrounded herself with the freaks, dwarfs and buffoons whom Goya loved to draw. They made a dramatic setting for her fragile, doll-like beauty. Goya drew and painted her often, sometimes with admiration and sometimes in anger at her wild flirting. Once he showed her carried away by witches and looking...

Author: /time Magazine | Title: Art: The Steep Path | 8/1/1955 | See Source »

...history." The Crucifixion, originally painted for Seville's white-robed Dominicans, dates from 1627, the period of Zurbaran's arrival as a mature artist. Seized by Napoleon's troops around 1807, it turned up in 1880 in the hands of Spain's Duke of Alba, who donated it to a Jesuit seminary in Canterbury, England. In 1950 the painting turned up again, heavily repainted, and was offered for sale first to the Louvre, which turned it down, then to a Paris art dealer. Last year Chicago Art Institute Director Daniel Catton Rich saw a photograph...

Author: /time Magazine | Title: Art: Found & Lost | 4/4/1955 | See Source »

Died. Jacobo Maria del Pilar Carlos Manuel Stuart Fitz-James y Falco, 74, 17th Duke of Alba de Tormes, Spain's wartime ambassador to the Court of St. James's; after long illness; in Lausanne, Switzerland. Grandest of Spain's grandees, he owned castles in almost every major city, had some 65 titles, including that of Duke of Berwick (a Stuart title not recognized by Britain). When civil war broke out in 1936, the Anglophile Duke sought to swing Britain to Franco's cause. After World War II, he disputed Franco's right to rule...

Author: /time Magazine | Title: Milestones, Oct. 5, 1953 | 10/5/1953 | See Source »

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