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...never quickly accepted-even Carmen flopped at first. Singers complained that they couldn't sing Wagner (some still do, and can't), and again and again the end of opera was proclaimed. To many, the most recent "end" came with Richard Strauss, who died in 1949. When Alban Berg's magnificent Wozzek was first performed in 1925, some people covered their ears in horror; today it is widely accepted as an almost mellow classic. Julius Rudel, director of Manhattan's enterprising New York City Opera, receives and reads 50 new opera scores a year. All kinds...

Author: /time Magazine | Title: Essay: OPERA: Con Amore | 10/8/1965 | See Source »

Vowing to change all that in short order or else resign, Auric started boldly by scheduling Alban Berg's fiercely modern Wozzeck. "If I am not able to mount this production," he declared, "I will know that nothing can be done for the National Opera here." He demanded an unprecedented 35 rehearsals, grappled successfully with eleven labor unions (guardians of the Opera's bloated staff of 1,100, including 95 stagehands, 35 firemen, 32 electricians, 30 wardrobe mistresses), but still lacked funds for his crash program...

Author: /time Magazine | Title: Opera: Right in the Heart of Paris | 6/26/1964 | See Source »

...critics have given him the serious acceptance he was looking for. More over, just as The Servant opened in the U.S., he was scoring another success on U.S. television - opposite Julie Harris in the Hallmark Hall of Fame's remake of James Costigan's Little Moon of Alban...

Author: /time Magazine | Title: Actors: An Unpublic Life | 4/3/1964 | See Source »

Wednesday, March 18 HALLMARK HALL OF FAME (NBC, 7:30-9 p.m.).-Julie Harris and Dirk Bogarde in a new production of the James Costigan drama, Little Moon of Alban, originally presented in 1958. Color...

Author: /time Magazine | Title: Television: Mar. 20, 1964 | 3/20/1964 | See Source »

...worked through the logistical gambits of mounting the U.S. premiere of Alban Berg's atonal, macabre, erotic opera Lulu, Crosby collected a power ful king and queen: Conductor Robert Craft, a devotee of Berg, and brilliant and beautiful Coloratura Soprano Joan Carroll, who had sung the leading role 39 times before, yet never in English. But the chess game only began with the big names. Scene shifters had to be taught to handle six sets ranging from a wealthy home to a brothel; dressers had to learn how to zip Joan Carroll in and out of ten costume changes...

Author: /time Magazine | Title: Opera: The Hellish Drive | 8/16/1963 | See Source »

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