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That control extends to everything from hiring singers to choosing a * balanced program that encompasses not only classics and premieres but also thorny modernist works such as Alban Berg's Wozzeck, which last week got a stunning new production that typifies the Krainik style. Krainik had originally planned the project as a co-production with the Chatelet Theatre Musical de Paris, to be conducted in Paris and Chicago by Daniel Barenboim. Following the French performance, Krainik decided that the lighting design was unsuited to the Lyric's stage. "It would have cost us an extra $600,000 just...

Author: /time Magazine | Title: Making Opera Pay, the Chicago Way | 2/7/1994 | See Source »

...like Sergei Koussevitzky in Boston and Leopold Stokowski in Philadelphia were far more adventurous than their contemporary counterparts. Koussevitzky, the Russian-born bassist turned maestro, commissioned and performed dozens of new works by American composers, and Stokowski routinely surprised his audience with major premieres of challenging works, such as Alban Berg's opera Wozzeck. As the recent history of opera in America has shown, there are large untapped audiences hungering for something new. But as long as symphonies insist on treating their customers to the same handful of well-known works -- masterpieces though they may be -- symphonic music will lack...

Author: /time Magazine | Title: Is The Symphony Orchestra Dying? | 7/12/1993 | See Source »

...HAPPENED TO THE GLAMOROUS young German violinist ANNE-SOPHIE MUTTER? She used to be just another pretty face, riding to glory aboard great war- horses named Beethoven, Tchaikovsky and Brahms. On her latest Deutsche Grammophon album, though, she harnesses two modern violin concertos and tames them both. In Alban Berg's ineffable 1935 two-movement concerto, a requiem for the daughter of Alma Mahler Gropius, Mutter evokes the music's intense, passionate suffering. In Wolfgang Rihm's gorgeous Time Chant, written for her last year, Mutter's splendid fiddle soars ethereally over the Chicago Symphony led by James Levine...

Author: /time Magazine | Title: Short Takes: Mar. 29, 1993 | 3/29/1993 | See Source »

...Zukerman in 1967, and has since established herself as a major artist on the strength of her burnished tone and fiery passagework. Chung is a performer of great interpretative range and insight who can light up the night with a blazing Tchaikovsky concerto, probe the intimate, sorrowing mysteries of Alban Berg's twelve-tone essay in the form, or tackle Sir Edward Elgar's king-and-country Violin Concerto with equal aplomb. She also plays in a chamber trio with her sister Myung-Wha, a cellist, and her brother Myung-Whun, a pianist now making a career as a conductor...

Author: /time Magazine | Title: Music: Siren Songs at Center Stage | 4/11/1988 | See Source »

OPERATIONS: Susan L. Blair (Copy Chief); Eileen Bradley (Technology Manager); Stephen F. Demeter (Systems Manager); Gail Music (Production Manager); Judith Anne Paul, Joseph J. Scafidi, Shirley Barden Zimmerman (Deputies); Trang Ba Chuong, Theresa Kelliher, Suzi Romanik, L. Rufino- Armstrong, Lee R. Sparks (Supervisors); Ted Alban, Frances Bander, Robert L. Becker, Minda Bikman, ^ Robert Braine, Bruce Christopher Carr, Silvia Castaeda Contreras, Barbara Collier, Kenneth Collura, Barbara Dudley Davis, Julia Van Buren Dickey, Osmar Escalona, Dora Fairchild, Evelyn Hannon, Garry Hearne, Nora Jupiter, Judith Kales, Sharon Kapnick, Kevin Kelly, Claire Knopf, Agustin Lamboy, Gyavira Lasana, Jeannine Laverty, Marcia L. Love, Janet...

Author: /time Magazine | Title: Time Magazine Masthead: Mar. 21, 1988 | 3/21/1988 | See Source »

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