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Word: alberich (lookup in dictionary) (lookup stats)
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Killer & Astronaut. In Wieland's revised version, he visualized Alberich and Wotan as archetypes of "wheeler-dealer politicians," the heroes Siegfried and Siegmund as self-sacrificing astronauts, the Rhinemaidens as the bosses' sexy secretaries, Wotan's wife Fricka as everybody's nagging mother-in-law, Fafner and Fasolt as Murder Inc.'s cold blooded killers, Briinnhilde as a man's best pal, the temptress Gutrune as a call girl...

Author: /time Magazine | Title: Opera: A Freudian Ring | 8/6/1965 | See Source »

...sophisticated Manhattanites throng the Metropolitan Opera House to goggle at old-fashioned Norse gods and blimp-like maidens disporting themselves in animal skins and burlap. The music-dramas of Richard Wagner, with their wilful, slow-witted heroes (Siegfried, Parsifal, Lohengrin), and their clever, conniving villains (Beck-messer, Mime, Alberich), are far & away Manhattan's favorite operas...

Author: /time Magazine | Title: Music: Heroic Designer | 2/14/1938 | See Source »

...power and its resultant oppression of humanity. The lunette above the door represents the cavern of Niebelheim. The dwarfs who inhabit this underground region are working to create the destructive wealth of the world, symbolized in the legend by the Ring forged from the Rhine gold, for their ruler, Alberich, who is lashing them on to greater labors...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 12/18/1936 | See Source »

...left of the door, Alberich's hand reaches for the Rhine gold, while the hands of the Rhine Maidens attempt to restrain him. At the right is the curse of the Ring, the mailed fist thrust through the Ring and holding a sword, which symbolizes the threat of destruction with fire and sword by those who wield the power of the Ring...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 12/18/1936 | See Source »

...mural completed last spring entitled "The Ring of the Niebelungen" represents the dwarf ruler Alberich whipping his workers in order to speed up their creation of destructive wealth, symbolized by the Ring forged from the Rhine gold. The artist is here attempting to present the struggle between creative science and material greed, not, as some one tried to interpret it, a comparison between the treatment of regimented and unregimented workers in contemporary Germany. At the left of the main part of the mural, Alberich's hand tries to grasp the Rhine gold, reaching up from sea-green water, while maidens...

Author: NO WRITER ATTRIBUTED | Title: NAZI vs. NIEBELUNG | 10/31/1936 | See Source »

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