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Word: alberses (lookup in dictionary) (lookup stats)
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Strollers along Manhattan's Madison Avenue last week did a double take at the Contemporaries Gallery windows. There seemed to be blank papers, framed and on show. A closer look from a sharp angle revealed that the papers were actually prints, but made without ink. They were geometrical constellations...

Author: /time Magazine | Title: Art: Prints Without Ink | 2/16/1959 | See Source »

An early luminary of Walter Gropius' Bauhaus in Germany, which developed such formgivers as Mies van der Rohe, Marcel Breuer, Paul Klee, Wassily Kandinsky and Moholy-Nagy, Albers came to the U.S. when Hitler closed the Bauhaus, taught at Black Mountain College and later headed Yale's Department...

Author: /time Magazine | Title: Art: Prints Without Ink | 2/16/1959 | See Source »

Albers' inkless intaglios were made by pressing wet, heavy paper onto an engraved plate. They result from hundreds of ink and pencil drawings on graph paper made over the past decade. Why does he print without ink? "I am trying to reduce my means-it is a demonstration of...

Author: /time Magazine | Title: Art: Prints Without Ink | 2/16/1959 | See Source »

Later, while teaching at Walter Gropius' Bauhaus in Germany, another childhood influence returned to shape the major part of Feininger's art: it was his passion for American precision, as expressed in Manhattan's illimitable grid of straight streets, its now-vanished els, old New York Central...

Author: /time Magazine | Title: Art: EXACT FANTASIST | 12/29/1958 | See Source »

The major new figure to arise between the two wars was Max Beckmann, who by endlessly propounding the question "Who am I?" arrived at emblematic pictorial symbols that crowded his canvases to the bursting point, but recovered much of Germany's lost humanism. The most intense group of artists...

Author: /time Magazine | Title: Art: OUT OF THE RUINS | 10/7/1957 | See Source »

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