Word: alberts
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...airplane speed record returned to the U.S. last week after almost ten years in Europe. Veteran Army Test Pilot Colonel Albert Boyd, 40, made four three-kilometer (1.86 mi.) runs, with and against a light breeze, in a jet-propelled Lockheed P-80R over Muroc Dry Lake, Calif. His average speed: 623.8 m.p.h., only 7.8 m.p.h. faster than Britain's record, hung...
...space: a place to be as highbrow as they like, to talk to their own kind and never mind being intelligible to the uninitiated. The result has been sometimes stuffy, oftentimes overreaching, but usually stimulating. Such first-rate writers and critics as Arthur Koestler, Ignazio Silone, George Orwell, Albert Camus, Andre Gide and Edmund Wilson have sold Partisan Review articles for a token $2 a page. Poets T. S. Eliot, W. H. Auden, Karl Shapiro and Robert Lowell were paid $3 a page. Thanks to Publisher-to-be Dowling, Partisan Review will now offer 2½? a word for prose...
...Died. Albert Ellsworth Thomas, 74, prolific writer of nimble and successful plays (The Big Idea, Come Out of the Kitchen, No More Ladies), onetime 1926-28) chairman of the Pulitzer Prize drama jury; after long illness; in Wakefield...
...Composer Britten's third opera in as many years had its premiere last week. It was Britten's first try at satirical comedy; his first two operas, Peter Grimes and The Rape of Lucretia (TIME, June 9), were both dark and tragic. For the new opera, Albert Herring, Librettist Eric Crozier did a slapstick adaptation of Guy de Maupassant's cynical Le Rosier de Mme. Husson, in which an innocent village bumpkin goes off on a wild, sinful night after being chosen King of the May. Britten scored it for chamber orchestra in his familiar brittle, witty...
...audience seemed to like Albert Herring, and roared for the composer-conductor. But some critics found loose parts that they had not detected in earlier models. Said the London Times: "Mr. Britten is still pursuing his old problem of seeing how much indigestible material he can dissolve in music." Added another critic: ". . . There are certain pages . . . that seem to betray hasty composition...