Word: albrecht
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...outside one day in August while a solemn Mass of thanksgiving was offered. And for good reason. Cracow's altar is not only the largest Gothic altar in Christendom, but the greatest masterpiece carved by Veit Stoss, the German sculptor who. along with his younger contemporaries Mathias Grunewald, Albrecht Dürer and Lucas Cranach. brought the art of the Middle Ages to its great and final climax...
Recently London Art Dealer David Carritt, 30, flipping idly through the Bacon Collection catalogue, was struck by a curious resemblance. The lion in the back of the painting was similar to one drawn by Germany's famed Gothic draftsman Albrecht Dürer. Invited down to tea to examine the painting at first hand, Art Dealer Carritt was certain. Other experts were called in, agreed. The painting, which proved to be in almost perfect condition, was estimated to be worth $560,000. Asked if he intended to sell, Sir Edmund, possessor not only...
...cast for leading Communist candidates showed how the Poles were thinking. In Warsaw's First District, for example, the highest vote (98.63%) was received by Professor Jerzy Bukowski, who had helped students organize a militia during the October crisis, while the lowest vote went to Central Committee Secretary Jerzy Albrecht, a Stalinist. On these terms, Party Secretary Gomulka has a mandate to make a clean sweep of Stalin ism and Stalinists. They had battled him during the campaign with clandestine leaflets, smears, whispers, and every other trick in the agitator's manual. They had pictured a pygmy Gomulka beside...
...color portfolio of portraits of Christ, vividly demonstrating how men have altered Christ's image to accord with the temper of their times and of themselves. The portraits range from the sad ascetic of the earliest 2nd century drawings through the agonized Renaissance Christ of Flemish Painter Albrecht Bouts to the smiling companion of Contemporary Ohio Painter Ivan Pusecker...
...from this background, represented by Wolgemut in the woodcut and Schongauer in engraving, that the great transition figure of Albrecht Durer emerged. But the beauty of this exhibit is the opportunity to see the Germanic elements in his art, as well as his foreign innovations. It is clearly brought out, that Durer was both the culmination of the medieval tradition as well as the herald of a new interest in classical forms. The ideals of plasticity proportionality, perspective and clarity that were absorbed from the south combined in Durer with a linear style and interest in detail...