Word: albrechts
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...Crimson, Tom Aucamp shot a 74, which was the second-best score of the day. Terry Murray (76), Doug Albrecht (76), John Beizer (83) and Pat Barry (83) rounded out the scoring for the Crimson...
Senior men joining the ranks of the Harvard chapter this winter are: Douglas Albrecht of Quincy House, Dana P. Ascherman of Currier House, Mark Bitgood of Cabot House, David M. Blank of Dunster House, Jonathan R. Cohen of Dunster House, Stephen A. Cohen of Dunster House, James C. Deutsch of Eliot House, Jonathan D. Firester of Currier House, Daniel S. Glueck of Dunster House, Aaron J. Goldberg of North House, David S. Greenes of Lowell House, Bradford T. Howes of Mather House, Daniel Josell of Lowell House, Russell C. Klein of Lowell House, Daniel E. Kligensmith of Lowell House, Calvin...
...close-ups, Weston kept their goal but reversed the approach, bearing down on the details as a new way to make the mundane suggest the divine. At first glance, the scientific exactness of his still lifes makes them look as though they were descended from the nature sketches of Albrecht Durer. But in ambition they were more akin to the work of the European abstractionist painters. Kandinsky, Malevich and Mondrian wanted not only to wipe clean the slate of Western art but to scrub consciousness itself, clearing it of worldly distractions as a way of opening...
Finishing just nine strokes back from the leader with 246, the Crimson failed to advance to next week's ECAC Championship Tournament. The combined efforts of Doug Albrecht (who shot a 79), Tom Aucamp (81), Patrick Kenary (81), Terry Murray (85), and Dan Mahoney (89) were not enough to overtake first-place MIT. Had Albrecht finished one shot lower, he would have been able to advance to the finals as an individual...
Berger strengthens his arguments with vivid prose. No windy academic generalities here. He likes sudden beginnings: "The day before yesterday a close friend of mine killed himself by blowing his brains out." He describes Albrecht Durer's view of the Apocalypse as the day when "the sun would go out, and the heavens would be rolled up and put away like a manuscript." He reports that the mosques of Istanbul are "the colour of ripe honeydew melons." He encapsulates a special quality in Bonnard's art by calling it "an art about cultivating one's own garden...