Word: albumã
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Dates: during 2001-2001
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...time of Moonlight, the Soft Boys had no idea they’d made a piece of history. Rew, who seems exceedingly modest of his own musical career but pleased with Hitchcock’s organization of the band and the album??s reception, says, “In 1980, I made the album blindly, really, without any thought as to how many people would like it or not like it.” Now he describes the Soft Boys as “the great love of my life.” As to whether...
It’s a little paradoxical, then, that what seems to carry this album, tying it together and giving it its individuality, is Brian Molko’s voice. The album??s songs are its singles, “Special K” and “Slave to the Wage,” which highlight the band’s aggressivity. The opening track, “Taste in Men,” somewhat prefigures the rest of the album with its comment, “Change your style again/Change your taste...
...don’t stop the dancing,” it appeals to both club and radio audiences. The rest of the album, though, deviates quite significantly from the mainstream. After the first few songs, the Discovery’s momentum slows; still, some of the album??s most haunting and beautiful music (“Nightvision” and “Veridis Quo”) is much more ambient than you might expect from a disco album. It’s almost as if Daft Punk aim to provide a soundtrack for every part...
...wonder people only vaguely remember them: This is their first production in over seven years. Run DMC, who first introduced hip-hop in 1981 and incorporated their interpretation of rap into other genres of music, have returned, and they come with a conglomerate of stars to bolster the album??s prestige. While the likes of Kid Rock, Fred Durst, Sugar Ray, Nas, JD, and Jagged Edge may grace the album, the one thing most Run DMC fans hoped for is missing: Run DMC’s original sound. There is no doubt that this album has great songs...