Word: albums
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Dates: during 1960-1969
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...belong to the indistinct memory of books, to the chronicle of another age. It's sad to think of what we missed. And it is possible to be nostalgic for a world we never knew. This must be why the still fixity of photographs recalls so much, why an album of snapshots from James Joyce's Paris days is as suggestive as Ulysses...
...seas, icy wastes, swirling deserts, piercing the Himalavan mists. His corsairs were never conceived as the emblem for Led Zeppelin, arguably the most instrumentally distinguished rock group. Organized by English guitarist Jimmy Page. Led Zeppelin immediately placed itself in the pantheon of rock with the release of its first album. The group does not have the range of mood or gift of assimilation of the Beatles. the only group which can take Dakker's Lullaby for Patient Grissel and use it touchingly in a song such as Golden Slumbers. Although Led Zeppelin draws upon such blues wellsprings as Robert Johnson...
...three finest songs on Led Zeppelin's first album illustrate the foremost capacities of the group. "Good Times Bad Times" is based, as is usual with their songs, on an energetic riff rather crudely syncopated but irresistibly developed. Page plays a brief solo characterized by his enormous intervals and rapid triplets: Bonham employs complex drum pedals; Jones adds a sinuous independent bass line: and Plant insinuates a tone of bemused disconsolation into the song's eternal situation of calumniating fate. "Dazed and Confused" deals with incoherent man in the face of a latter-day Cressida. After a sufficiently stunned introduction...
...TURNING to Led Zeppelin II we might feel that the bold change in cover art from the phallic to the cenotaphic argues a change for the worse. Dirigibilis mutabilis! The new album contains two of their best songs, two of their clearest failures, a delight in light parody, and an explicit and jocular exhibitionism, verging at times toward crudity, only suggested in the earlier record. This last element is most apparent in the lurid copulative jactitation of "Whole Lotta Love." This very involved song, with its assemblage of background sounds of connubial exertion, reminds one (very hazily) of Southev...
...wittily languid harmonica part, punctuated by an indolent "Watch out, watch out." Their signature blend of innuendo, vaguely arrogant virtuosity, and exhilarating braggadocio return home with unexpected lightness as the harmonica quietly arrests the song with a sarcastic but still good-natured wince of a glissando. So the album which began with a laugh ends with a smile...