Word: albums
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Dates: during 1970-1979
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...rhythm-and-blues and Latin music, and rock's heavy electronic sound and beat. Miles Davis, 52, who created the "cool" bop sound back in the late '40s, with its relaxed delivery and complex harmonies, also fashioned the first fusion in 1970 with his revolutionary Bitches Brew album. It retained jazz soloing but incorporated electric bass and guitar and a Rhodes electric piano. The result sounded mellow, upbeat and had a heavier rhythm than jazz, and it proved a phenomenal bestseller (600,000, compared with sales of 25,000-30,000 for a popular, mainstream jazz album...
...Roll Morton, Bix Beiderbecke, even the great Bahamian guitarist Joseph Spence. As the surprise wears off, though, and the rhythms become less remote, they will hear some of the loveliest, liveliest music in the air. Cooder, with band, gospel quartet and full orchestra, last week performed virtually the entire album at Carnegie Hall...
...album is a fine bit of syncopated genealogy, running past the sophisticated musical abstractions of Beiderbecke (Flashes, In a Mist) into the knife-edge humor of a minstrel-show song like Nobody and the surprising sleight-of-hand pride in a "coon song" like Shine. The music passes right through Jelly Roll...
...Away Eyes" is pure fun, as Jagger and Richard do a hokey country ballad about a truckstop girl "with far away eyes" in Bakersfield, California. Jagger's satire of radio preachers is particularly humorous. The album closes with "Shattered," a wierd soliloquy on the perils of New York, which Jagger talks-sings over a murky riff. Jagger sums up life as "laughter, joy and loneliness and sex and sex and sex and sex," and gloats ironically, "Look at me, I been shattered...
Ernest Hemingway had a character in The Sun Also Rises ask the hero, Jake Barnes, for irony and pity, irony and pity." Jake Barnes couldn't fill that request, but Mick Jagger does. This album is concerned with sex, love, dreams and survival. The greatest works of art are nearly always probing these themes, and Jagger's lyrics are honest because in their irony and pity they reflect the ambiguities that color these themes in reality. The Stones' music once again is as relentless and streamlined a vehicle for Jagger's visions as it was in 1972. Now the problem...