Word: albums
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Dates: during 1980-1989
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...myself, everything from that point on was 'I' -- what I think, what I want," reflects Turner, 47. Her wants are certainly being met. Last week she became the 1,841st celebrity to get her own star on the Hollywood Walk of Fame. And then there is a new album and video called Breaking Every Rule, out this week. Once again, the title reflects her viewpoint. "Everything I've done in my life has been somebody's idea of breaking the rules," Turner says. "People say that I'm not supposed to be this successful in this business...
...least one other trouble is worth mentioning: there is only one Steve Earle. He has just made his first album, he hasn't had a Top Ten single, and he plays rock clubs as well as country venues. But his voice has offhand brute force when it has to bear down and unforced gentleness when it comes to business of the heart. He sings about familiar territory -- small towns and horizon-piercing interstates, luckless marriages and faithless love, dumb faith and poor prospects -- and blows all the cobwebs away because his eye is fresh and because he appears...
There's already a clamor to climb aboard. Waylon Jennings, who can still hang tough and sing true, recorded an Earle tune called The Devil's Right Hand on his new album, Will the Wolf Survive. At a recent date in a tony Chicago club, an upscale crowd got joyously behind the heavy beat and the Duane Eddy- style guitar rumble of Earle's band, even as they paid respectful attention to such back-against-the-wall Earle lyrics as "I hit the beer joints every Friday night/ Spend a little money lookin' for a fight/ It don't matter...
...songs while cadging odd jobs. He built swimming pools. He worked house construction. Once, in 1975, a dream almost came true: Elvis was going to record one of Earle's songs, but he never showed up at the studio. After cutting a few singles for Epic and an album for CBS that was shelved, Earle recalls, "I lost all my confidence. I thought I had lost my edge...
...embraces a surprising variety of musical styles. Most regressively Californian are the environmental soundscapes of Steve Halpern, 39, a New Age pioneer with 35 albums to his credit. Then there are the grandiose synthesized symphonies of Jean-Michel Jarre (Oxygene) and the film scores of Vangelis (Chariots of Fire, Blade Runner). There are the strongly defined melody and deceptive, stutter-step 5/4 rhythm of Jobson's piano waltz Disturbance in Vienna, which also turn up on his new synthesizer album Theme of Secrets. There are the down-home guitar serenades of Folk Veteran Leo Kottke. And there is Hwong...