Word: albums
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Dates: during 1990-1999
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Soul Coughing burst into the world four years ago from the depths of New York's underground club scene. When their first album, Ruby Vroom, spread its funkified wings in 1994, thousands of hungry, pulsing teenagers gasped. Here, at last, was a thing of beauty. Here, at last, was something that made you go "Oh God, yeah, Oh God, I wanna, God, I wanna DANCE." Body-throbbing funk with a deep, heavy low-end, witty lyrics that read like poetry and presuppose (gasp) intelligent listeners, and the seductively quirky voice of lead singer Michael Doughty all melded together on Ruby...
Thankfully, with their newest album, El Oso, Soul Coughing revives and even surpasses the enormous energy and excitement of Ruby Vroom. Every lovable aspect of Soul Coughing is present on El Oso in beautifully magnified forms. The beat, for one, is absolutely unforgettable. Soul Coughing has always carefully crafted their music around a strong, supremely danceable groove influenced heavily by hip-hop and funk. Their trademark beat is something they descriptively term a "gangadank", or as Doughty describes it in the album's press release "a kind of guitar rhythm I invented in an attempt to recreate...
Since you've trekked all the way into Boston, why not check out perennial 80s favorite Cheap Trick as they kick off their three day Boston stint at the Paradise Rock Club with tunes from their first album? 8 p.m., Paradise Rock Club, 969 Commonwealth Ave., Boston...
...wealth of potential standards written after 1960, an off-and-on trend renewed in earnest a few years ago when vocalist Cassandra Wilson turned the Monkees' Last Train to Clarksville into a torchy, caramelized ballad nearly worthy of Billie Holiday. Herbie Hancock followed with The New Standard, an entire album of rock-era tunes in which he improvised on changes derived from the Beatles, Sade and Kurt Cobain, among others. Joshua Redman's forthcoming Timeless Tales (for Changing Times) (Warner Bros.) covers similar ground, with songs by Joni Mitchell, Stevie Wonder and the Beatles again; included is a winning, credibly...
...coming up on the new millennium. It's time to tamper with things," says Christian McBride, a 27-year-old bass player who has recorded with everyone from Betty Carter to Diana Krall. A Family Affair (Verve), his third album as a leader, was released last summer. It includes some smart electric tunes (though listeners who actually lived through the 1970s may not be eager to reacquaint themselves with the sound of Moog synthesizers) but reaches its peak with an acoustic, rhythmically virtuosic version of the Sly Stone title song that somehow manages to swing while also suggesting the original...