Word: albums
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Dates: during 1990-1999
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...addition to the Bring It On tracks presented last night, Gomez introduced many of their new songs. Their style appears similar to that of the first album--completely impossible to describe. The one difference may be that someone is finally listening. When Gomez played T.T. the Bear's last November, only 50 fortunate fans attended their Boston premiere. According to Ottewell, in the interim, the band has come into its own, "We've come back and there's people come to see us in our own right." Chances are, next time Gomez plays Boston, the closest...
...year. But I'll hazard guesses about the near future. What I loved in 1998 was the emergence of the French disco house genre with a retro sound that explored house music's roots and brought back a lot of the element of fun, including Daft Punk's Homework album and the song of last summer, Stardust's "Music Sounds better With You." It continued this year with Cassius's 1999, an excellent disco cut-up pastiche work, and I'm hoping for more quality Gallic crossovers. I also think the stunning new Armand van Helden and Basement Jaxx albums...
Think again, Lee Fields, known as "Little J.B." to his friends "throughout the global funk community," has made a valiant effort to resurrect what he considers the fallen genre of "rough, nasty and genuine" '70s funk in this album. What the album lacks in musical talent (the band and the background singer have a few problems with consistency and staying together, and Fields himself isn't exactly James Brown), it definitely makes up for in character. Funk was played to bring smiles to people's faces and motion to their feet, and Let's Get A Groove On certainly does...
...twiddle, turn and trot. Atlas, an Egyptian-Palestinian-half-Muslim-half-Jewish-singe r-belly-dancer, Brussels-born and U.K.-raised, has performed in London with Jah Wobble, the club fusion outlet Transglobal Underground and in Page and Plant's 1998 European Tour. Gedida is her third album. And perhaps, enough. Atlas' climactic introduction is just a prelude to ten long, indistinguishable tracks, Gedida has everything--hip hop, London dance beats, samplings from Rob Base & E-Z Rock, industrial tones, traditional chants, Egyptian indigenous bluesy pop and Arabic lyrics about truth and political oppression--but these flavors are overfused...
Long live concept albums! The Olivia Tremor Control, a loose group of musical misfits based in Athens, Georgia, manage to start off with everything that's wrong with concept albums and end up with everything that's right. First, begin with the pretentious, overly intellectual premise: the OTC set out to create an audible representation of dreams within music that pulses "with the rhythms of modern life." Next, toss in some unnecessarily complex musical tampering: a bass line from one original song is altered for various other songs whose remaining components are then manipulated and layered on top of other...