Word: albums
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...song that contrasts most with the upbeat tone of the rest of the album is “Third Avenue.” The fast-paced rhythm that pervades the album is replaced by a slow Motown groove. Appearing right in the middle of the album, it gives the listeners some space to relax. It also allows Sultan’s voice to shine through, his high notes lightening the track’s soulful edge. The fact that this track appears right before “Tastebuds” is perhaps intentional, and makes the latter more surprising than...
...songs are not technically complex. All the songs except “Third Avenue” are in simple 4/4 time and most of the songs are based on a three-chord progression. King Khan and BBQ are by no means exploring new grounds in music through the album. But this, of course, was never their intent. They want to make music that’s as fun to play as it is to listen to, and absolutely nothing more...
...strikes a middle ground between these two extremes, but the final product is somewhat inconsistent; “Alter the Ending” excels in the realm of emotional power ballads but also contains a great deal of uninspiring three-chord filler, resulting in a uniform-sounding album with limited success...
...voice nervously fluttering above the ruckus as he pleads. “I know you’ll get me right / Oh Jesus, I’ve fallen.” The song’s religious overtones do not quite fit with the remainder of the adolescent-themed album, but thrown listeners will feel right at home as the record then effortlessly transitions into a somewhat predictable pop-punk nugget, “Until Morning.” Armed with chugging guitars and swelling vocals, Carrabba asks his lover to stay by his side, proclaiming...
...it’s hard to belong / To a girl or a song / In the crease of a strangling winter.” It is at such moments that “Alter the Ending” truly shines; unfortunately, such compositions are few and far between on the album, included as afterthoughts rather than centerpieces, taking the backseat to one too many loud alt-rockers...