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Word: albums (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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...moments that Casablancas breaks free of midtempo rock and experiments with his sound that “Phrazes” truly shines. “11th Dimension” is undoubtedly the finest track on the album: an ’80s new-wave homage recalling the post-punk roots of New Order, “Dimension” showcases Casablancas truly having fun, as he gleefully exclaims “I got music coming out of my hands and feet!” Similarly experimental, the bluesy “4 Chords Of The Apocalypse” opens...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

Casablancas’ solo debut is a confusing experience. Despite running 40 minutes, “Phrazes” is a mere eight tracks. Consequently, the album feels too short while most of the tracks feel too long. His output is erratic: “11th Dimension” and “Left and Right in the Dark” stand among his finest work, while the rest of “Phrazes” suffers from a lack of creative inspiration. Casablancas’ solo effort proves that the Strokes truly were greater than the sum of their...

Author: By Zachary N. Bernstein, CONTRIBUTING WRITER | Title: Julian Casblancas | 11/6/2009 | See Source »

...treat the ladies. Unfortunately, the producer-turned-performer’s latest release, “Transitions,” is sleek and uninspired, relying on common tropes and clichés in order to appeal to a mass audience and mask its subpar vocals. While the album remains relatively listenable, Leslie’s attempts to create common ground render his songs false and hollow...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...Leslie turned toward performance, recording a debut album entitled “Just Right” that was only released in Europe. His self-titled second attempt, released earlier this year, was met with mixed reviews; critics simultaneously extolled his sweet melodies and electronic rhythms while mocking his generic lyrics...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

...second album this year, “Transitions,” is hardly a change—if anything, the album shows not growth but regression; Leslie’s tracks seem emptier and more unimaginative. The opening of “You’re Not My Girl,” for example, mimcs the bass line on Queen’s “Another One Bites the Dust,” making use of an almost identical rhythmic structure. The song is more than unoriginal, however; it feels sparse and cheap, a sense that arises from Leslie?...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Ryan Leslie | 11/6/2009 | See Source »

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