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...would be easy to expect Barenaked Ladies to be somewhat down since the departure of their frontman and primary songwriter Steven Page last year. However, their new album, “All in Good Time” remains remarkably hopeful and upbeat. The album’s second track, “Summertime,” epitomizes this bright and hopeful feeling, acknowledging the struggles of the present, but promising better things to come: “How do we make it through the day / How do we not cave in and bottom out / Well, you have to understand that...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Barenaked Ladies | 4/6/2010 | See Source »

...darkness in you take you away from yourself / Nobody else, there’s nobody left to make you run.” Upbeat, strong chords, with some funky, synthesized piano pieces create a playful sound, which, in combination with some classical violin pieces, give the album a very harmonious and happy-go-lucky feel. “On the Lookout” and “Every Subway Car” are other good examples of joyous melodies lending themselves well to a light and easy listen...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Barenaked Ladies | 4/6/2010 | See Source »

Occasionally the album does seem to hint at genuinely darker subject matter, but these attempts feel rather half-hearted. “How Long” is a great example: “So give it up for anger / It makes us strong,” the song begins. The song’s introduction, set amidst deeper tones and more ominous beats raises expectations of a darker mood, but the pace of the song changes abruptly and resumes the album’s positivity. Similarly, “I Saw It” begins with the lyrics...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Barenaked Ladies | 4/6/2010 | See Source »

...Your album “Transitions” was reviewed by The Crimson earlier this year. Did you get a chance to look at the article...

Author: By SOFIE C. BROOKS, CRIMSON STAFF WRITER | Title: 15 Questions with A. Ryan Leslie ’98 | 4/1/2010 | See Source »

...hour, and many of the tracks prove to be filler. While usually catchy, the lyrics aren’t good enough to bring this “self-confessional” album’s concept off of the ground. What Usher needs isn’t another album of so-called introspection to bring back the success of his past, but some new inventiveness in his career, something that “Raymond v. Raymond” fails to exhibit...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Usher | 3/30/2010 | See Source »

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