Word: albums
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...microphone to record vocals. Her bandmates take the opportunity to get a little homework done, and Powers jokingly tells them, “Homework is not rock and roll!”These are just a few scenes in the evolving life of Veritas Records. From performances to album production, the label fills a unique role in the Harvard community as one of the sole outlets for students interested in modern music. With a host of new projects and bands, the label is gearing up for what it hopes will be its most prominent, prolific, and exciting year yet.THE HISTORYVeritas...
...about that "half of the Kingston Trio"... When founder Dave Guard left the group in 1960, John Stewart replaced him, joining Nick Reynolds and Bob Shane. The Trio was a late-'50s chart sensation that helped establish the album, not the single, as the unit of pop music. Reviled and/or envied by purists, the group nonetheless got a myriad of kids hooked on traditional music. They were the training wheels of the folk movement, and kept wearing their smiles and striped shirts for decades as a tribute band to themselves. Reynolds was 75, Stewart...
...Charles and Aretha Franklin, made a crossover star of Bobby Darin, kept the Drifters a top act through ever-changing personnel and in the '70s signed the Rolling Stones and Led Zeppelin. Wexler produced Dusty Springfield's Dusty in Memphis LP and Bob Dylan's first Grammy-winning album, the 1979 Slow Train Coming...
Emotionalism, by the Avett Brothers I discovered the Avett Brothers while browsing in one of those iconic hippie shops in San Francisco's Haight-Ashbury district. The album was playing on the store's sound system, and I was instantly smitten. It is impossible not to grin while listening to this infectiously upbeat blend of folk, rock and bluegrass, all played on acoustic instruments and with whimsical, witty lyrics to boot...
...keyboards). "Terra," its opener, kicks off with a frenzy of organic sounds - fast-swirling piano, skidding violin - before sliding into a further nine tracks. From the ludic raptures of "Feathers" to the slow-building threnody of "Cells That Smell Sounds" they span the spectrum of light and dark. The album's highlight comes in the form of "Null," a doozy of soaring strings, synths and syncopated percussion offset by strangely compelling counting in German, which is very Hirano: at once familiar and odd, with the ineffable quality of a dream...