Word: albums
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Field Music is a band striving for reinvention. After a self-imposed three-year hiatus, the group has returned with new members and a new sound for their latest album, “Field Music (Measure).” Afraid of boxing themselves into an indie pop corner, Field Music has taken their new record as an opportunity to explore a wider range of style and sound. While the effort to diversify certainly helps develop a degree of ingenuity and surprise, the album’s almost schizophrenic nature is at times confusing and strangely unsatisfying, despite its undeniable musical...
With the 2005 release of their self-titled debut album, Sunderland, England’s Field Music instantly drew comparisons to their townmates the Futureheads, as well as bands from further afield like the New Pornographers. That record’s success was piggybacked by the group’s sophomore effort, “Tones of Town,” in 2007. Characterized by their harmonic arrangements and melodic, hooky arrangements, Field Music gained early praise as having the potential to become one of the decade’s best indie pop bands...
After keyboardist Andrew Moore left the band, the remaining members, brothers Peter and David Brewis, were joined by Kevin Dosdale and Ian Black to record the group’s third album. This change in personnel may be the cause of this record’s shift from the group’s earlier work. Angry, angsty, and attempting to avoid categorization, “Measure” is a 20 track album defined as heavily by its amorphous style and musical outbursts as its invention or ingenuity...
...attempt to incorporate new sounds and avoid being pigeonholed as an indie pop band can be seen from the album’s very beginning. “In the Mirror” opens the album with heavy synth overlays which compete with a clear melody and upbeat harmonies. The song’s defining musical conflict—between rock and indie pop—is exemplary of a trend that pervades the album. Fittingly, and perhaps with a twist of irony, the song whines, “I wish I could change and make new rules / And love...
Thankfully, Legrand and Scally haven't. The great musical innovators notwithstanding, it's generally disastrous to effect a radical stylistic shift. (I know there are hard-core defenders of U2's electro-experiment album Pop out there somewhere ... but they're wrong.) No, the key is change and more of the same. So while Legrand's voice, easily one of the most beguiling ones in rock today, has until now been weighed down by the band's reverb-heavy atmosphere, Teen Dream simply lightens the load. The results, as on "Lover of Mine," are vocals that soar with joy while...