Word: aldous
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Dates: during 1980-1989
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Canadian Author Margaret Atwood's sixth novel will remind most readers of Nineteen Eighty-Four. That can hardly be helped. Any new fictional account of how things might go horribly wrong risks comparisons either with George Orwell's classic or with Aldous Huxley's Brave New World. To a remarkable degree, these two books have staked out the turf of contemporary antiutopias. Which punishment is it to be this time? Relentless, inescapable totalitarianism or the mindless, synthetic stupors of technology? As it turns out, Atwood's look at the future takes place under conditions that Orwell would recognize. Repression...
...That Depression year, 34 million Americans were out of work. One day after the 1932 Olympics began, Hitler's National Socialists won a plurality of seats in the German parliament. In 1932 Mussolini told his countrymen, "I foresee a long series of political, economic and military wars." And Aldous Huxley wrote Brave New World. And the opening ceremonies of the Olympics came off without a hitch...
...personal predilections come into play not only with the lopsided Englishness of his choices but with his embrace of verbally experimental books (Mervyn Peake's Titus Groan, John Earth's Giles Goat-Boy) and of sci-fi or futuristic visions (Kingsley Amis' The Anti-Death League, Aldous Huxley's Ape and Essence). His list is as striking for what it leaves out as for what it includes. Every reader will have his favorite omissions-after all, that is half the fun of literary parlor games like this-but just to name five: John Cheever...
...film centers on Aldous Tate, a Harvard student in the 1960s who becomes a media celebrity by haranguing people with his leftist progressive ideology and 20 years later he meets Una Horn, played by Tamerlis, who has travelled to Latin America to distribute food and contraceptives to the poor...
...utmost reluctance. The 1984 view of things has been almost spiritually important to recent generations because the book cooperated perfectly with this age's picture of the future. Besides 1984, the two main Utopian-indeed, antiutopian-texts of the time have been Yevgeny Zamyatin's We and Aldous Huxley's Brave New World. They stand in stark contrast to the visions of past ages: Plato's Republic, Augustine's City of God, Dante's Paradise, More's Utopia, Rousseau, Kant, Marx and the American Dream, which saw the millennium in everything...