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semples & Turboprops. "A magnificent landscape; but one looks at it with a sinking of the heart; there is something profoundly horrifying in this immense, indefinite not-thereness of the Mexican scene," Aldous Huxley wrote in the days when tourists traveled on bumpy roads across the sere, dusty landscape. The jet age has gone far to remove the boredom that made one Texas lady remark: "It's what's between the high spots that depresses me so." Today, there are eleven daily direct jet flights into Mexico City from...

Author: /time Magazine | Title: Travel: Target for '68 | 5/10/1968 | See Source »

When I lived in Paris or London, everybody sneered at the Hollywood style or Hollywood superficiality. But when I moved here in the '40s, who were my neighbors? Schoenberg, Rachmaninoff, Aldous Huxley, Heifetz, Thomas Mann, Stravinsky and Rubinstein. What Hollywood style? What Hollywood superficiality? These creative people lived here, first, because the city is so widespread that you can have your privacy when you want it. Second, the climate. Also, people here are not afraid to break traditions. When we want to play without a conductor...

Author: /time Magazine | Title: Cellists: Verbal Virtuoso | 4/26/1968 | See Source »

AFTER THE RAIN is an eggshell of a play from an egghead playwright. John Bowen borrows and embalms theatrical modes and ideas from Bertolt Brecht, Aldous Huxley, George Orwell and Peter Weiss and colors them in a fashionable shade of apocalypstick. As the tyrannical leader of a Noah-like band of survivors from the flood of 1969, Alec McCowen is convincingly diabolical as he plucks open the soul of a power maniac...

Author: /time Magazine | Title: Television: Nov. 17, 1967 | 11/17/1967 | See Source »

AFTER THE RAIN is an eggshell of a play from an egghead playwright. John Bowen borrows and embalms theatrical modes and ideas from Bertolt Brecht, Aldous Huxley, George Orwell, and Peter Weiss and colors them in a fashionable shade of apocalypstick. As the tyrannical leader of a Noah-like band of survivors from the flood of 1969, Alec McCowen is convincingly diabolical as he plucks open the soul of a power maniac...

Author: /time Magazine | Title: Television: Nov. 10, 1967 | 11/10/1967 | See Source »

...York and financed by $75,000 worth of Carnegie Corporation grants, Privacy and Freedom took four years to write. It involved Westin in hundreds of interviews, thousands of hours of research through newspapers, court records and books, ranging from Robert Ardrey's The Territorial Imperative to Aldous Huxley's Brave New World. Just as thoroughly, Westin has compiled a catalogue of electronic bugging devices, wiretaps and mechanical spies that will surprise even those who think they are up on the subject. Items currently available: TV cameras small enough to fit in a vest pocket with...

Author: /time Magazine | Title: Publishing: Newsbook on Privacy | 9/29/1967 | See Source »

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