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While the play has flickers of wit and moments of poignance, it is less a drama than an exercise in computer programming. Albee has fed into it only such data as will produce the answer that this is the worst of all possible worlds. And just as Aldous Huxley spoke of "murderee" types, Malcolm is a corruptee-he invites corruption. He is dumb, passive and available, and he lacks all strength of purity. The healthy organism rejects disease; the pure spirit resists evil. As for the spectacle of the supine young Adonis having his flesh and heart beaked...

Author: /time Magazine | Title: Theater: Tiny Albee | 1/21/1966 | See Source »

...from a basically land-oriented state of mind, which he can persuasively argue was vestigial feudalism, to a totally disoriented materialism. He celebrates "age segregation," the war and post-war generations' cult of self which, even if it sounds a trifle too much like the emancipation proclamations of Aldous Huxley et al. some 40 years ago is still a real and well observed phenomenon...

Author: By Timothy S. Mayer, | Title: Tom Wolfe | 11/24/1965 | See Source »

John Whiting's The Devils skillfully transforms Aldous Huxley's The Devils of Loudon, a narrative chocked with explication, into an excellent drama. However, Michael Cacoyannis, the director, fails to realize that The Devils, although camouflaged as an historical play, stands firmly in the abstract and psychological tradition of modern drama...

Author: By Daniel J. Singal, | Title: The Devils | 10/23/1965 | See Source »

...Aldous Huxley meant his study of an historical incident to be both an abstraction of the witch-trial mentality and a critique of the McCarthy hearings. Whiting thankfully preserves the abstract quality even when tempted by the theatrical. On the night before his death, Huxley's Grandier instantly calms his fear when his older colleague assures him that "God is here." The playwright, however, foregoes the sudden conversion and instead has Grandier change slowly through the last...

Author: By Daniel J. Singal, | Title: The Devils | 10/23/1965 | See Source »

Producer Alexander Cohen and Greek Director Michael (Zorba the Greek) Cacoyannis are bringing in The Devils, an adaptation of Aldous Huxley's The Devils of Loudun. With Jason Robards as the 17th century priest and Anne Bancroft as the prioress whose lurid accusations lead him to the stake, theater parties are buying early...

Author: /time Magazine | Title: Broadway: BROADWAY The Shape-Up | 8/27/1965 | See Source »

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