Word: alex
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Dates: during 1970-1979
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...units of the Javidan guards, which had taken up positions along the road leading to the base, moved forward. As the fighting intensified and the gunfire became almost constant, private cars were commandeered to take the dead and dying to hospitals. One victim was Los Angeles Times Correspondent Joe Alex Morris Jr., 51, a veteran Middle East reporter, who was fatally shot in the chest by a bullet while watching the battle...
...ever. It also galvanized the country. Suddenly both the history of slavery and genealogy were national obsessions. Theaters and restaurants emptied out during the show; hundreds of colleges started Roots courses; the National Archives in Washington found itself flooded by citizens' requests for information about their ancestors. Writer Alex Haley, whose search for his African heritage had led to the book that led to Roots, became a folk hero. A TV smash hit became a cultural landmark...
...that matter, definitive history, but it is a show-biz tour de force. An exceedingly clever and affecting soap opera, Roots II manages to play on the most basic sentimental feelings about democratic ideals and familial love. When, in the final hours, the tale turns to Alex Haley's career, it also becomes an irresistible American success story. Taken as a whole, Roots 11 is a compendium of pop cul ture: it mixes elements of Gone With the Wind, Uncle Tom 's Cabin, March of Time newsreels, Horatio Alger sto ries and even Fiddler on the Roof...
...drove by the steel mills, the latest Cleveland song was playing on the radio. Last summer the big hit had been "There's No Surf In Cleveland, USA," a 1950s rocker by a group called the Euclid Beach Band. Now it was Alex Bevan's "Have Another Laugh On Cleveland Blues...
...Alex Haley's book about his black heritage, Roots, won him a Pulitzer Prize, $2.6 million in hard-cover revenues alone, and his share of a much acclaimed television series. But Harold Courlander, 70, a white novelist living in Bethesda, Md., believed the book had more roots than Haley was willing to acknowledge. In Federal District Court in Manhattan, he accused Haley of plagiarizing passages from his 1967 book, The African. Courlander demanded that Haley turn over to him more than half the profits from Roots...