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Rather, Pourquoi Pas! explores with intelligence and subtlety the vagaries of human desire. With neither snickers nor excessive sentiment Serreau unfolds the relationship between two men and a woman. The homosexual bond between Louis and Fernand is accorded the same frankness and sensitivity as the heterosexual union with Alexa. The erotic interplay between the two men lays to rest the hoary cinematic cliche that the sight of two men kissing repulses women. Serreau's skill as director and Jean--Francois Robin's delicate photography present the embrace with a warm dignity...

Author: By Deirdre M. Donahue, | Title: Short Circuits in the Social Order | 9/24/1979 | See Source »

FERNAND, LOUIS, AND ALEXA are simply three people who live in a run-down suburban house; each has joys and sorrows outside of the commonly shared bedroom. A darkly handsome man, Fernand (Sami Frey) exists as the pivot. He is the one who cooks, cleans and generally maintains order amid chaos. The shock of seeing this massive embodiment of conventional virility doing the "family's" mending is dissipated by Fernand's softness of manner and voice. It is his nature to be a gentle, mothering person. This overflowing warmth has been cruelly diverted away from his own children because their...

Author: By Deirdre M. Donahue, | Title: Short Circuits in the Social Order | 9/24/1979 | See Source »

...delicate blonde, Sylvie. Their impossibly romantic meeting is right out of 1930 s screwball comedy. Everything seems perfect--she's beautiful, rich and looks like Carole Lombard; he's handsome, poor and resembles Clark Gable. After an idyllic ten days together, they return to the suburban house where Alexa and Louis have been anxiously waiting. Suddenly, things change. The steady current of attraction no longer flows in a closed circle around Fernand and Sylvie but rather short-circuits into a series of sparks between Fernand/Alexa, Sylvie/Alexa, Louis/Fernand, and Louis/Sylvie. The breadth and variety of human desire expressed in this film...

Author: By Deirdre M. Donahue, | Title: Short Circuits in the Social Order | 9/24/1979 | See Source »

...film is beautifully cast, well-written and technically flawless. But her approach has a gaping hole in it. The skill with which she sensitively portrayed those outside of society apparently vanished when she was called upon to portray those within. To emphasize just how happy and fulfilled Fernand, Alexa and Louis are, she reduces the film's "straights" into one-dimensional jokes. Fernand's ex-wife is a case in point. She sports grotesque polyester clothes, has a permanent Pat Nixon hairdo and screams continually at her children. Her voice grates across the screen like razors on a chalk board...

Author: By Deirdre M. Donahue, | Title: Short Circuits in the Social Order | 9/24/1979 | See Source »

...round up support for the dinner. "I had to do a little selling job," said Hartsfield. "I reminded them that the whole town gave Bobby Jones a parade when he won the four golf titles, and that they had turned out for Dot Kirby and, 35 years earlier, for Alexa Stirling when each won the women's national golf championship. I reminded them that they gave a big welcome to Atlanta's war heroes too. Dr. King, I told them, was being honored as a Nobel prizewinner, not because he sat down at a lunch counter or picketed...

Author: /time Magazine | Title: The South: Rare Tribute | 2/5/1965 | See Source »

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