Word: alexandros
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...execute a deft pivot - like a bit on John McCain's befuddlement at how to combat his Democratic foe during the presidential campaign. "How the f___ am I losing? I'm a war hero!" he imagines McCain thinking. "He came this close to saying, 'He's black!' " Ted Alexandro gets a big laugh by harking back to white America's old fears of blacks moving onto their turf: "Not only is Barack Obama our first black President, but it's the end of white Presidents forever. Because you know what they...
...Real Americans are ready to move past these pasta and anti-pasta politics. Remember our great Italian-American heroes: Giorgio Washingtino, Silvio Berlusconi, Giovanni Adamsi, and Alexandro Hamiltini. If they were on our campus today, they would twirl their large handlebar mustaches and say, “Send your votes for Harvard’s new mascot, along with pictures of your ‘figure,’ to prestigeandmobility@gmail.com...
...after all why not? For isn't that foreign-speaking man in the black bell-bottoms and sweater, his greying hair pulled back in a ponytail, Alexandro Jodorowsky? The man, they say, that made that film, El Topo, that's playing down the street at the Charles Cinema? The one with all the blood? Except that he seems to be so pleasant...
...film was made in Mexico by Alexandro Jodorowsky, a Charles-Mansonish-looking, sincere, 40-year-old Chilean of Polish-Russian parentage who was once a member and composer for Marcel Marceau's mime-troupe. Between TV, talk shows he now runs a Mexico City theatre and writes a comic strip "Fabulas Panicas" ("Panic Fables") for a newspaper in Mexico City. Jodorowsky wrote, directed, and is the hero of the film...
Every midnight for the past seven months, the Elgin Theater in New York City's Chelsea district has presented a screening of an exceedingly curious and especially arresting film called El Topo (The Mole). An allegorical western made in Mexico by a Chilean-Russian stage director named Alexandro Jodorowsky, El Topo has not been shown at all outside Manhattan; reviews, aside from the underground press, have been few and mostly negative. Nonetheless, the film has been kept alive by word of mouth spread by a burgeoning band of fierce partisans. Dennis Hopper had it screened at his home...